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Babelson Audio Gistortion v1.1.2 WiN

Authentic Tube-Sound! Gistortion is a unique bass/guitar effect. It will add colour and flavour to your guitar and bass. It will also enhance the place of your guitar and bass in your mixes.

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Babelson Audio FD1N v2.1.2 WiN

Tube EQ has a reputation for a warm sound produced by the introduction of even-order- harmonic distortion. Even-and odd-order harmonics are related to the overtone series that gives instruments their particular timbre. FDN series can emulate several types of guitar amplifiers and shape the overdrive sound.

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Babelson Audio FD3N v2.1.2 WiN

Even harmonics are some number of octaves above the original note. Examples (for A at 440 Hz)2nd harmonic: 880 Hz - up one octave 4th harmonic: 1760 Hz - up two octaves The 3rd odd harmonic is an octave plus a fifth above the fundamental.3rd harmonic: 1320 Hz - E above the A at 880 Hz.

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Babelson Audio DelFeed v2.0.0 WiN

DelFeed, a real old school solid-state analog delay* effect like ping-pong delay, slap-back echo…. Analog delay plugin, Up to 2000 ms delay time,

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Babelson Audio HLS Drive v1.2.1 WiN

The H.L.S Drive plug-in amazingly emulates the rich-sounding Tube saturation behaviors that keep radical EQ moves sounding ultra-musical, even at extreme settings. It is based closely on the Type 69 EQ which is very musical. Add character and clean up a mix with H.L.S Drive.

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Babelson Audio FD2N v2.1.2 WiN

Even- order harmonics produce smooth, musical characteristics as opposed to odd- order harmonics, which tend to sound harsh. FD1/2/3N ' tend to introduce some degree of even-order harmonic distortion that produces a “warming” effect by thickening the overtones of the original signal.

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Babelson Audio BeComp v1.0.0 WiN

Smoothness and transparency. BeComp is a dynamics processor that will change the way you use and think about compressors and compression. The inherently rich and colorful tone of the BeComp helps glue tracks together. The BeComp is the thickest and heavy sounding compressor/limiters. it's also quite handy for pumping up individual tracks. It comes in mono, mono -to- stereo and stereo versions.

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Babelson Audio B-Comp v1.2.0 R2 WiN

The B-Comp is a stereo compressor. it was originally designed after testing diode bridge compressors. The Vintage/Modern options vary the attack and release characteristics of the processor and will vary the ‘colour’ of the output. Switch between them to hear the difference and select what works for you. This switch has more to do with ‘colour’ or ‘feel’ of the sound.

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Babelson Audio Babelonne-D v1.1.1 WiN

With high shelf and low shelf EQ , damping controls and flexible graphic interface, Babelonne-D Digital Reverb gives you the flexibility you need from a reverb effect. It will create extraordinarily natural-sounding virtual acoustic spaces. The result is sound so real and not artificial.

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Kush Audio AR-1 v1.0.4 WiN

AR-1 is a variable-mu tube compressor whose roots are in the raucous sound of the rockin’ American 50’s, yet it enjoys a posh, tea-sipping British image thanks to its use at Abbey Road Studios in late 60’s, notably on the later Beatles and earlier Pink Floyd records. Kush painstakingly captured the sweet breakup of AR-1’s beefy tubes being driven into the dirt, then added more than a half dozen significant UI and functional enhancements. The resulting emulation is every bit as chunky as the original, and 10x more flexible

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Crane Song RA2 v3.3.4 WiN

RA is a Nonlinear plug-in for the professional Audio Engineers that demand the most from their plug-ins. The plug-in can be thought of as an amplifier that is being over driven, (Wave Form Compression), but there is control over what part is being overdriven. An analogy from photography, it is like the curve function.

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Crane Song Phoenix II v1.9.1 WiN

Designer Dave Hill has crafted this software with the same attention to detail he used to create the electronics for ATR Service's much heralded "Aria" discrete tape recorders. His intimate knowledge of analog electronics, as well as decades of experience as a recording engineer has spawned a very useful, musical suite of plug-ins. The Phoenix II process not only incorporates the nonlinear saturation characteristics created by magnetic tape itself, but also includes the interrelation of an analog tape recorder's record/reproduce electronics and equalization curves. Phoenix II is a ground-up application derived from HEDD technology, and specifically engineered and optimized for Avid's PT 10 architecture.

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Ayaic Mix Monolith v0.0.11 WiN

A Unique Approach To Mixing The Mix monolith is another industry first from Ayaic. It is an "Automatic Mixing System" that allows you to level your mixes perfectly in any environment. From individual tracks, to buss groups, to FX channels, to your master fader, Mix Monolith will create a mix that is balanced and open with just a click of a button.

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Crane Song Peacock v1.3.0 WiN

Peacock can be used on a stereo bus to create the classic vinyl sound. On individual tracks it is also very useful in creating large fat sounds, smoothing of the harmonic content and making a nice smooth vintage sound on vocals and other instruments.

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Ayaic Ceilings Of Sound PRO v0.4.0 WiN

A Unique Approach To Equalizing Ceilings Of Sound PRO takes a truly unique approach to equalizing sound and is the first equalizer to incorporate the spectrum of noise as equalization "knobs". 15 user-definable ceiling bands containing 49 noise-slopes each allow you to create sonic-ceiling shapes that drive the settings of a 50/31-band Linear Graphic Equalizer. The EQs operate at 0 latency, low CPU load yet are hi-precision, even at the low frequencies where it really matters. A "conform spectrum to ceiling" feature conforms your EQ to your ceiling shape with a click of a button. 49 ceiling guides help you balance your ceiling shapes to equalize faster and better than ever. This means whether you're working with one of our hundreds of presets, one of your own created presets or simply manipulating the ceiling shape of your raw audio during mix-down/mastering, perfect equalization is a "click" away. We are certain that once you beginning using Ceilings Of Sound PRO you'll quickly discover why it's called a Hyper-EQ.

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Wave Arts Dialog v2.0.2 / v1.39 WiN MacOSX

Dialog combines in one plug-in all the processing needed to clean up, adjust, and sweeten recordings of the spoken voice. It is perfect for voice-over, film/tv recordings on location or sound stage, and broadcast.

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Wave Arts Master Restoration Suite v6.0.0 / v5.90 WiN MacOSX

Master Restoration Suite is a comprehensive set of restoration plug-ins for cleaning up tape, vinyl, and acoustic recordings. The tools give extremely high quality results with minimal tweaking, hence they sound great and are easy to use.

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Wave Arts Power Suite v6.0.7 WiN

PowerSuite 6 is a significant update to the PowerSuite line, featuring compatibility with MacOS Catalina and support for VST3 format. The signal processing algorithms and user-interface functions are largely unchanged from PowerSuite 5. However, under the hood, the plug-ins have been completely rewritten to use the latest development tools and SDKs. This was necessary to maintain compatibility with MacOS and the latest MacOS DAWs, such as Cubase 10, WaveLab 10, Premiere 2020, and Audition 2020. On these DAWs, the PowerSuite 5 plug-ins do not function – the GUI shows a black window.

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Mathew Lane TiCo v1.0.9 WiN

TiCo is a flexible signal processor plug-in, featuring 7 ‘TiGHTNESS’ compression and 7 ‘CoNTOUR’ character styles to take any source – drums, bass, guitars, synths, vocals, (mix)busses, masters & more – to the next level with ease.

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Solid State Logic SSL Native Plugins v6.5.30 WiN

Console Grade Processing For Your DAW SSL Native plug-ins provide the precision, advanced feature set and legendary tonal characteristics of SSL audio products in affordable plug-in form. The latest Native V6.5 release from Solid State Logic introduces the new ‘X-EQ 2’ plug-in and provides all users authorisation of SSL Native licenses onto a computer instead of a physical iLok dongle. As of SSL Native V6.5, a physical iLok is no longer required to run SSL Native.

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