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Music Production Biz Tips and Tricks 2.0

A collection of music production tips and tricks for beginners, intermediate, and advanced producers (production, theory, mixing, mastering, bass, vocals, drums ...). Learn anywhere, anytime Whenever you feel free, pick up your mobile, tablet, or laptop and start learning (our ebooks work on Windows, Mac, Linux, IOS, and Android).

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Music Production Biz Tips and Tricks 3.0

A collection of music production tips and tricks for beginners, intermediate, and advanced producers (production, theory, mixing, mastering, bass, vocals, drums ...). Learn anywhere, anytime Whenever you feel free, pick up your mobile, tablet, or laptop and start learning (our ebooks work on Windows, Mac, Linux, IOS, and Android).

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Music Production Biz Tips and Tricks 4.0

A collection of music production tips and tricks for beginners, intermediate, and advanced producers (production, theory, mixing, mastering, bass, vocals, drums ...). Learn anywhere, anytime Whenever you feel free, pick up your mobile, tablet, or laptop and start learning (our ebooks work on Windows, Mac, Linux, IOS, and Android).

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Fviimusic 808 Ultimate Toolbox Vol.1 WAV

STEP UP YOUR 808 GAME! When we started working on this pack, we wanted to make sure that each designed and processed 808 hits harder than any other sample that we've heard before.

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Choral Fantasies: Music Festivity and Nationhood in Nineteenth-Century Germany

Most histories of nineteenth-century music portray 'the people' merely as an audience, a passive spectator to the music performed around it. Yet, in this reappraisal of choral singing and public culture, Minor shows how a burgeoning German bourgeoisie sang of its own collective aspirations, mediated through the voice of celebrity composers. As both performer and idealized community, the chorus embodied the possibilities and limitations of a participatory, national identity.

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Beethoven and the Grosse Fuge: Music Meaning and Beethoven's Most Difficult Work

The Grosse Fuge, composed by Ludwig van Beethoven in his late period, has an involved and complicated history. Written for a string quartet but published as an independent work, the piece raises interesting questions about whether music without words can have meaning, and invokes speculation about the composer and his frame of mind when he wrote it. Kahn looks closely at the musical, aesthetic, philosophical, and historical problems the work raises, considering its history, structure and development, meaning, and response among critics and contemporaries. Kahn also studies Beethoven's difficulties with publishers and sponsors, his everyday life, and his character in light of recent advances in the pharmacology of depressive illness.

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American Music Documentary: Five Case Studies of Ciné-Ethnomusicology

A critical companion to the most celebrated music documentaries of the twentieth century Documentary filmmakers have been making films about music for a half-century. American Music Documentary looks at five key films to begin to imagine how we might produce, edit, and watch films from an ethnomusicological point of view. Reconsidering Albert and David Maysles's Gimme Shelter, Jill Godmilow's Antonia: A Portrait of the Woman, Shirley Clarke's Ornette: Made in America, D.A. Pennebaker's and Chris Hegedus's Depeche Mode: 101, and Jem Cohen's and Fugazi's Instrument, Harbert lays the foundations for the study and practice of "ciné-ethnomusicology." Interviews with directors and rich analysis from the disciplinary perspectives of film studies and ethnomusicology make this book a critical companion to some of the most celebrated music documentaries of the twentieth century.

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Music and Power at the Court of Louis XIII

What role did sacred music play in mediating Louis XIII's grip on power in the early seventeenth century? How can a study of music as 'sounding liturgy' contribute to the wider discourse on absolutism and 'the arts' in early modern France? Taking the scholarship of the so-called 'ceremonialists' as a point of departure, Peter Bennett engages with Weber's seminal formulation of power to consider the contexts in which liturgy, music and ceremonial legitimated the power of a king almost continuously engaged in religious conflict. Numerous musical settings show that David, the psalmist, musician, king and agent of the Holy Spirit, provided the most enduring model of kingship; but in the final decade of his life, as Louis dedicated the Kingdom to the Virgin Mary, the model of 'Christ the King' became even more potent – a model reflected in a flowering of musical publication and famous paintings by Vouet and Champaigne.

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Edinburgh German Yearbook 13: Music in German Politics / Politics in German Music

A particularly iconic image of German Reunification is that of Mstislav Rostropovich playing from J. S. Bach's cello suites in front of the Berlin Wall on November 11, 1989. Thirty years on, it is timely to reconsider the cross-fertilization of music and politics within the German-speaking context. Frequently employed as a motivational force, a propaganda tool, or even a weapon, music can imbue a sense of identity and belonging, triggering both comforting and disturbing memories. Playing a key role in the formation of and "Germanness," it serves ideological, nationalistic, and propagandistic purposes conveying political messages and swaying public opinion.

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Arduino Programming: What Is The Need For The Arduino Music Project?: Arduino Music Player With Display eBooks & eLearning

If you are researching Arduino Music projects, you want to deeply study about instruments. Let's read this book, It can teach you about a Theremin, a Drum Machine, a Jukebox, Sequencer and more to to complete your project.

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Sound Art: Concepts and Practices

Sound Art offers the first comprehensive introduction to sound art written for undergraduate students. Bridging and blending aspects of the visual and sonic arts, modern sound art first emerged in the early 20th century and has grown into a thriving and varied field. In 13 thematic chapters, this book enables students to clearly grasp both the concepts behind this unique area of art, and its history and practice. Each chapter begins with an exploration of key ideas and theories, followed by an in-depth discussion of selected relevant works, both classic and current.

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Sound Recording Technology and American Literature: From the Phonograph to the Remix

Phonographs, tapes, stereo LPs, digital remix - how did these remarkable technologies impact American writing? This book explores how twentieth-century writers shaped the ways we listen in our multimedia present. Uncovering a rich new archive of materials, this book offers a resonant reading of how writers across several genres, such as John Dos Passos, Langston Hughes, William S. Burroughs, and others, navigated the intermedial spaces between texts and recordings.

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Hip-Hop Genius 2.0: Remixing High School Education

Many educators already know that hip-hop can be a powerful tool for engaging students. But can hip-hop save our schools-and our society? Hip-Hop Genius 2.0 introduces an iteration of hip-hop education that goes far beyond studying rap music as classroom content. Through stories about the professional rapper who founded the first hip-hop high school and the aspiring artists currently enrolled there, Sam Seidel lays out a vision for how hip-hop's genius-the resourceful creativity and swagger that took it from a local phenomenon to a global force-can lead to a fundamental remix of the way we think of teaching, school design, and leadership.

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Making Music and Having a Blast!: A Guide for All Music Students

In her follow-up to "Making Music and Enriching Lives: A Guide for All Music Teachers", Bonnie Blanchard offers students a set of tools for their musical lives that will help them stay engaged, even during the challenging times in their musical development. Blanchard discusses issues such as finding an instructor, selecting the right instrument, and choosing a college or conservatory. The book includes lessons on music theory and history as well as a guide to finding additional materials in print and online. Blanchard's strategies for making practice productive and preparing for auditions are useful tips students can return to again and again.

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Sudden Music: Improvisation Sound Nature

Music, said Zen patriarch Hui Neng, "is a means of rapid transformation." It takes us home to a natural world that functions outside of logic, where harmony and dissonance, tension and release work in surprising ways. Weaving memoir, travelogue, and philosophical reflection, Sudden Music presents a musical way of knowing that can closely engage us with the world and open us to its spontaneity.

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Arduino Projects: How To Make Music With Arduino: Sd Card Slot Arduino

If you are researching Arduino Music projects, you want to deeply study about instruments. Let's read this book, It can teach you about a Theremin, a Drum Machine, a Jukebox, Sequencer and more to to complete your project.

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Exhibitions Music and the British Empire

International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience.

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Decentering Musical Modernity: Perspectives on East Asian and European Music History

This collection investigates the concept of modernity in music and its multiple interpretations in Europe and Asia. Through contributions by both European and Asian musicologists it discusses how a decentered understanding of musical modernity could be matched on multiple historiographical perspectives while attentive to the specificities of local music and their narratives in Asia and Europe. The essays connect local, global and transnational history with sociological theories of modernity and modernization, making the volume an important contribution to overcoming the Eurocentric dichotomy between western music and world music within the field of historical musicology.

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Push: Software Design and the Cultural Politics of Music Production

Push: Software Design and the Cultural Politics of Music Production shows how changes in the design of music software in the first decades of the twenty-first century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, "user-friendly" interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the "industry standard," "professional" DAW of choice by incorporating design elements from pre-digital music technologies. Other software, like Cycling 74's Max, asserted its alterity

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Remixing Music Studies: Essays in Honour of Nicholas Cook

Where is the academic study of music today, and what paths should it take into the future? Should we be looking at how music relates to society and constructs meaning through it, rather than how it transcends the social? Can we ‘remix’ our discipline and attempt to address all musics on an equal basis, without splitting ourselves in advance into subgroups of ‘musicologists’, ‘theorists’, and ‘ethnomusicologists’?

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