Music and Embodied Cognition Listening Moving Feeling and Thinking

Random News

Music and Embodied Cognition Listening Moving Feeling and Thinking
Acustica Audio Titanium 3 2023 MacOSX
<<<<<<<<<<< 14-01-2024, 18:07 >>>>>>>>>>
Acustica Audio Titanium 3 2023 MacOSX
P2P | 14 January 2024 | 221.96 MB Titanium 3 recreates a series of ubiquitous tube-based studio processors…

Plugin Alliance ADPTR Hype v1.0.0 WiN
<<<<<<<<<<< 1-03-2024, 06:26 >>>>>>>>>>
Plugin Alliance ADPTR Hype v1.0.0 WiN
Team R2R | 01 March 2024 | 29.3 MB HYPE embodies high-end mixing hardware, offering dynamic processing tools…

Four4 Organic House Tools WAV Synth Presets
<<<<<<<<<<< 29-01-2024, 20:26 >>>>>>>>>>
Four4 Organic House Tools WAV Synth Presets
P2P | 29 January 2024 | 434.18 MB Explore the organic side of house music with acoustic guitars, violins,…

Plugin Alliance bx_enhancer v1.0.0 U2B MacOSX
<<<<<<<<<<< 11-02-2024, 06:26 >>>>>>>>>>
Plugin Alliance bx_enhancer v1.0.0 U2B MacOSX
P2P | 11 February 2024 | 82.60 MB The Brainworx bx_enhancer plugin includes an input tuner display,…

Archive

March 2024 (750)
February 2024 (824)
January 2024 (1251)
December 2023 (1233)
November 2023 (1047)
October 2023 (1056)
25-08-2019, 08:25

Music and Embodied Cognition Listening Moving Feeling and Thinking

Music and Embodied Cognition Listening Moving Feeling and Thinking

English | ISBN: 025302160X | 2016 | 304 pages | 4 MB

Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox’s work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.

home page:
https://amzn.to/3271k8R


DOWNLOAD

You like the news? Please share this news in social networks



Related News:

Sounding Composition Multimodal Pedagogies for Embodied ListeningSounding Composition Multimodal Pedagogies for Embodied Listening

English | 2018 | ISBN: 082296533X | 208 Pages | PDF | 5 MB In Sounding Composition Steph Ceraso reimagines listening education to account for twenty-first-century sonic practices and experiences. Sonic technologies such as audio editing platforms and music software allow students to control sound in ways that were not always possible for the average listener. While digital technologies have...
Connectionist Representations of Tonal Music Discovering Musical Patterns by Interpreting Artifical Neural NetworksConnectionist Representations of Tonal Music Discovering Musical Patterns by Interpreting Artifical Neural Networks

English | 2018 | ISBN: 1771992204 | 312 Pages | PDF | 1.46 MB Previously, artificial neural networks have been used to capture only the informal properties of music. However, cognitive scientist Michael Dawson found that by training artificial neural networks to make basic judgments concerning tonal music, such as identifying the tonic of a scale or the quality of a musical chord, the networks...
A Million Years of Music: The Emergence of Human ModernityA Million Years of Music: The Emergence of Human Modernity

English | 2015 | ISBN: 1935408658 | 368 pages | PDF | 2 MB What is the origin of music? In the last few decades this centuries-old puzzle has been reinvigorated by new archaeological evidence and developments in the fields of cognitive science, linguistics, and evolutionary theory. In this path-breaking book, renowned musicologist Gary Tomlinson draws from these areas to construct a new narrative...
Musical Forces: Motion, Metaphor, and Meaning in MusicMusical Forces: Motion, Metaphor, and Meaning in Music

Musical Forces: Motion, Metaphor, and Meaning in Music English | ISBN: 0253356822 | 2012 | 328 pages | PDF | 4.49 MB Steve Larson draws on his 20 years of research in music theory, cognitive linguistics, experimental psychology, and artificial intelligence - as well as his skill as a jazz pianist - to show how the experience of physical motion can shape one's musical experience. Clarifying the...

  Views: 609
Views: 609

- THANKS FROM THE USERS -

Nobody said thanks, but you can be first!

Comments for Music and Embodied Cognition Listening Moving Feeling and Thinking:

No comments yet, add a comment!

Information

Would you like to leave your comment? Please Login to your account to leave comments. Don't have an account? You can create a free account now.

Member Login


Social Networking Login: