Apple MainStage 3 v3.4.3 MacOSX

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Apple MainStage 3 v3.4.3 MacOSX
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18-07-2019, 08:56

Apple MainStage 3 v3.4.3 MacOSX

Apple MainStage 3 v3.4.3 MacOSX

TNT | 18 July 2019 | 1.22 GB

MainStage 3 lets you take your Mac to the stage with a full-screen interface optimized for live performance, flexible hardware control, and a massive collection of plug-ins and sounds that are fully compatible with Logic Pro X.

The right rig for every kind of performer.


MainStage has something for every kind of performer. You can use all your favorite instrument and effect plug-ins from Logic Pro. Simplify setup and teardown. Sound as big as you want with backing tracks. And use all your favorite hardware controllers.

Keyboardists. Your dream gig awaits.


Now you can take your performance beyond what you can actually perform. The Arpeggiator features note-based remote controls and flexible latch modes. And Chord Trigger allows you to press a single note and have it trigger an entire complex chord. Use Retro Synth to re-create your favorite electronic sounds from the ’70s and ’80s with an intuitive set of controls. Or bring the authentic sounds of a Hammond B3 organ, Hohner Clavinet D6, or Fender Rhodes, Wurlitzer, or Hohner electric piano on stage.

MainStage is not only an amazing host for software instruments and effects, it’s also packed with innovations that let you shine on stage. For starters, there’s the Floating Split Point. It intelligently moves the split point on a split keyboard Patch to respond to what you’re playing. Start walking a bass line up the keyboard, and the split point moves up so the bass doesn’t suddenly become some other sound when you get into the higher notes.

The total performance package.


Love the sound you got on your recording? MainStage 3 makes it easy to bring all the same instruments and effects to the stage. Everything from the Sound Library and Smart Controls you’re familiar with from Logic Pro is integrated into MainStage 3. You can even expand your show with prerecorded backing tracks. You’ll also find new features like an improved Mixer, easier-to-use channel strips, and more. With Mac as the core of your live rig, setup is faster, teardown is faster, and everything in between is more reliable. And you can easily use your favorite hardware to control every nuance of your performance.

► What’s New In MainStage 3.4

Sound Library

The Sound Library can be relocated to an external storage device
2 vintage brush kits for Drum Kit Designer
More than 800 new loops in a variety of instruments and genres
New Visions library for Alchemy adds 150 cinematic presets

Plug-Ins

ChromaVerb is a sophisticated new algorithmic reverb with a colorful, interactive interface for creating rich acoustic spaces
Space Designer offers a new design and a scalable, Retina interface
Step FX adds rhythmic multi-effect processing using 3 powerful step sequencers and an X/Y pad
Phat FX makes your tracks bigger and bolder using 9 effects that add warmth and punch to your sounds
The Vintage EQ Collection provides 3 accurate models of vintage analog EQs from the 1950s to the 1970s
Studio Strings and Studio Horns are deeply sampled, realistic ensemble instruments with custom articulation controls
Mellotron is now available as a standalone instrument plug-in
Retro Synth now offers 18 different filter models
The length of individual steps in the Arpeggiator plug-in are adjustable
Loopback now applies a small crossfade at each loop cycle to reduce the likelihood of clicks or other audio artifacts

Alchemy

Alchemy provides drag and drop hot zones that let you select re-synthesis and sampling options while importing audio
Alchemy allows numerical editing of parameter values
Alchemy adds 12 new synthesized formant filter shapes
Alchemy now offers a side chain input that can be used as a source for envelope followers
Alchemy includes an automatic time align feature for improved morphing
New additive effects in Alchemy expand the options for filtering and modulating sound

3.4.3

This update contains stability improvements and bug fixes.



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