Arturia SEM-Filter v1.1.0.389 CE / v1.1.0.389 WiN MacOSX

Combining simplicity with pure tone-shaping power, SEM-Filter is a futuristic twist on a classic synth filter.
Renowned for its pioneering technology in the 70s, we paid tribute not only to its sound but also the SEM’s reputation as a trailblazer. Using the meticulous modelling techniques, and by adding exciting new features, we have created a true modern classic audio filter.

No longer confined to a synthesizer, you can now use the era-defining filter tone of Tom Oberheim’s cult synth module on any audio source you wish. Process acoustic instruments in your DAW, shape vocals, perform sweeps on your whole mix, create builds, rises, and drops, even use it to improve a soft-synths stock filter.

“But what does a filter actually do?”

For many music producers and electronic musicians, filters are an essential part of their sound and creative process. Put simply, filters cut or boost certain sound frequencies, letting you control the tonal ‘shape’ of audio.

For example, if you had a vocal recording that you wanted to remove some low, bassy rumbles from, you could use a high-pass filter.

A low-pass filter could be used in the same way, but to remove unwanted high frequencies; maybe to tame particularly zingy cymbals or hi-hats in a drum recording.

Notch filters can pinpoint certain frequencies and either boost or cut them; one great use for these is to find and remove clothy, unwanted mid-range resonance from recordings of acoustic instruments.

Originally developed to remove broadcast noise and make the most of radio bandwidth, nowadays filters are an essential creative tool for music professionals.

Hear the creative potential
of SEM-Filter, and be inspired

We’ve created a few audio demos to let you hear the power of this awesome, versatile filter; examples that will hopefully fire your creativity and spark your imagination.

Vintage tone combined
with powerful contemporary features

Bringing that inimitable SEM filter tone back to life is a miracle in itself, but we wanted to push the envelope. Pun intended.

Able to bring another dimension to whatever audio source you choose, the story of our reworked SEM architecture started in 2012, when we released SEM V; our analog modelled, virtual emulation of the classic. Through component analysis and the advanced techniques of our TAE technology, we were able to reproduce not only the filter, but every aspect of the original instrument in software. A hit as part of our V Collection, we couldn’t help but wonder what SEM’s filter would be capable of as a standalone plugin.

Once we isolated its VCF, we added some contemporary functionality that launch this iconic filter straight into the 21st century. Every aspect of SEM-Filter, including all of the modern additions, are all controllable via MIDI CC, so should your DAW allow it, you’ll be able to control and perform using SEM-Filter in your live sets, too! Speaking of the additions, let’s take a look at what we added to this cult synth icon:

Noise Oscillator
The effect of any filter becomes more dramatic when you add noise, so we included a noise oscillator to let you add as little or as much as you like to your signal.

Soft clipping
The original SEM circuitry could be driven into saturation with the right settings, and we’ve made the process even easier. Turn soft clipping on, and push the input gain, and you’ll get some sweet analog saturation.

Gate sequencer & mod sources
The new, easy to program gate sequencer lets you trigger or retrigger the envelope and LFO mod sources. This can be used to create vibrant, animated filter sequences, or subtle, undulating effects.

Simple Mod Matrix
To add a little bit of creative versatility to SEM-Filter, we included a concise modulation matrix, letting you get creative and explore sound design potential never possible with the original.

Load up your DAW
with plugins you’ll actually use

Declutter your plugin library, speed up your selection process, and improve your workflow. Our selection of superb plugins bring you the sound-shaping power of history’s finest music gear into your digital studio, letting you enjoy half a century of inspirational analog effects in a modern, digital, creative environment.

Our software plugins also have outstanding compatibility, and are available in VST, AU, and AAX formats so no matter your DAW of choice, you’ll be able to enjoy awesome Arturia sound-shaping.

V 1.1.0

New Features
NKS compatibility
Control knob with mouse scroll
Added maximize height button
Minor browser improvements
Bugfixes
No more crash on old CPUs
No more crash when removing the plugin from a track in FL Studio 20 on macOs
Favorites are now recalled correctly
Cubase bypass function now works properly
No need to click twice on the delete button to delete preset
No more issue when automating toggle parameters in AAX

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