Merging Pyramix v10.1.3-V.R
Team V.R | Jan 30 2017 | 536 MB
Audio content creation is all about creating immersive environments. Whether it is making a piece of music come alive or feeling the action while watching award winning television or cinema, being able to create something that the user believes is the most important thing. And with 3D audio this is now easier than ever before.
Pyramix 10 brings an entirely new toolkit which makes the idea of being trapped by a maximum speaker layout a thing of the past. No matter what the application, bringing a 3rd dimension to your audio content will have a profound effect on your next production. And, matched with a number of other new feature enhancements and updates, Pyramix 10 is the next benchmark in the evolution of audio workstations around the globe.
Edit/Mix/Master During Record
Imagine being able to stop your timeline and let your recording continue. This simple difference from standard DAW recording allows users to play over material, scrub, edit, automate, render add and edit CD markers and generally treat the entire timeline as though it were filled with previously recorded sounds. This is an indispensable tool for almost every single Pyramix workflow.
Secure Recording Features
From automatic keyboard lockout for long uninterruptable takes (like a live concert such as The British Royal Wedding) to backup media paths for every recorder (allowing two distinct media sets to be created for each recording), Pyramix is the most trusted DAW when it comes to reliably capturing even the most critical of performances.
Ultra-Large Track Count Recordings
A single Pyramix MassCore system is capable of recording up to 384 discreet audio channels at once. This has huge implications at 44.1/48 kHz, but is even more interesting when samplerates start to increase.
384 track recording @ 44.1 / 48 kHz
192 track recording @ 88.2 / 96 kHz
96 track recording @ 176.4 / 192 kHz
48 track recording @ DXD / 384 kHz
32 track recording @ DSD64 / DSD128 / DSD256
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Merging Pyramix v10.1.3-V.R:
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