Hiss and a Roar SD008 CONTACT MIC WAV
Recording with contact microphones is fascinating territory to explore due to the unpredictable results; it encourages experimentation! Inspired by the incredible work of Alan Splet and Anne Krober on Dune (as described in this article) I bought a custom built Trance Audio Inducer contact mic and preamp back in 2001, and have been experimenting with it ever since. A couple of years later I added a pair of Barcus Berry Planar Wave contact mics and while these mics featured in Tortured Piano this library is something else again: it is literally the result of hundreds of hours of experimenting… If you’re interested I have explained some of my experience in more detail in this article
One aspect of contact mic recording that is fascinating for sound design is the lack of acoustic – there is no reverb due to the sounds being recording via direct vibration, not through the air. This feature alone makes for very malleable sounds, excellent as components and layers in complex, composite sounds or for when you need an abstract organic sound but where the actual source must remain concealed…
24bit 192kHz • 1,556 sounds in 73 .WAV files • 3.7GB download • 7.4GB unrar’d
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P2P June 01 2015 | 231 MB In this video tutorial you’ll see my approach on using microphones in a dynamic and performative way, how to acoustically process synth sounds, using mics with custom built instruments, customizations and my guidelines on using contact mics....
P2P June 01 2015 | 231 MB In this video tutorial you’ll see my approach on using microphones in a dynamic and performative way, how to acoustically process synth sounds, using mics with custom built instruments, customizations and my guidelines on using contact mics....
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