Sonic Virtuality: Sound as Emergent Perception

Random News

Sonic Virtuality: Sound as Emergent Perception
Certified Audio Dark Trap Keys 2 WAV
<<<<<<<<<<< 14-03-2025, 15:49 >>>>>>>>>>
Certified Audio Dark Trap Keys 2 WAV
FANTASTiC | 14 March 2025 | 153.83 MB With the Halloween season upon us, it’s only imperative that we follow…

Kompose Audio Symphonic Viola Soundbox KONTAKT
<<<<<<<<<<< 23-03-2025, 17:49 >>>>>>>>>>
Kompose Audio Symphonic Viola Soundbox KONTAKT
ohsie | 23 March 2025 | 680 MB Symphonic Viola – Elegance, Expression, and Soul A deeply expressive and…

Evil Underground Data Kit WAV Synth Presets
<<<<<<<<<<< 14-01-2025, 23:28 >>>>>>>>>>
Evil Underground Data Kit WAV Synth Presets
FANTASTiC | 14 January 2025 | 1.42 GB SO MANY SAMPLE (More than 150) KICK SNARE PERCS FX AND ACAPELLA AND…

Soniccouture Balinese Flutes v1.0.1 KONTAKT
<<<<<<<<<<< 29-01-2025, 17:08 >>>>>>>>>>
Soniccouture Balinese Flutes v1.0.1 KONTAKT
P2P | 29 January 2025 | 295 MB BAMBOO FLUTE ENSEMBLE Balinese Flutes, or Suling, are end-blown flutes played…

Archive

March 2025 (669)
February 2025 (683)
January 2025 (752)
December 2024 (913)
November 2024 (943)
October 2024 (882)
14-05-2015, 23:05

Sonic Virtuality: Sound as Emergent Perception

Sonic Virtuality: Sound as Emergent Perception
English | 2015 | ISBN: 0199392838 | 248 Pages | EPUB/AZW3/PDF | 3.97 MB

In Sonic Virtuality: Sound as Emergent Perception, authors Mark Grimshaw and Tom Garner introduce a novel theory that positions sound within a framework of virtuality. Arguing against the acoustic or standard definition of sound as a sound wave, the book builds a case for a sonic aggregate as the virtual cloud of potentials created by perceived sound. The authors build on their recent work investigating the nature and perception of sound as used in computer games and virtual environments, and put forward a unique argument that sound is a fundamentally virtual phenomenon.

Grimshaw and Garner propose a new, fuller and more complete, definition of sound based on a perceptual view of sound that accounts more fully for cognition, emotion, and the wider environment. The missing facet is the virtuality: the idea that all sound arises from a sonic aggregate made up of actual and virtual sonic phenomena. The latter is a potential that depends upon human cognition and emotion for its realization as sound. This thesis is explored through a number of philosophical, cognitive, and psychological concepts including: issues of space, self, sonosemantics, the uncanny, hyper-realism, affect, Gettier problems, belief, alief, imagination, and sound perception in the absence of sound sensation.

Provocative and original, Grimshaw and Garner's ideas have broader implications for our relationship to technology, our increasingly digital lives, and the nature of our being within our supposed realities. Students and academics from philosophy to acoustics and across the broad spectrum of digital humanities will find this accessible book full of challenging concepts and provocative ideas.

home page:
http://bit.ly/1A3gfSg


http://www.nitroflare.com/view/4EF8692034CDE91

http://rapidgator.net/file/60e460125aac60699bf33dbe34a27a70






You like the news? Please share this news in social networks



Links are dead? You can send request (you must be registred user) to re-upload articles
with dead links and our team will try to re-upload files for you as soon as possible.

Related News:

Song Interpretation in 21st-century Pop MusicSong Interpretation in 21st-century Pop Music

English | ISBN: 1472428005 | 2015 | 326 pages | PDF | 2 MB Existing books on the analysis of popular music focus on theory and methodology, and normally discuss parts of songs briefly as examples. The impression often given is that songs are being chosen simply to illuminate and exemplify a theoretical position. In this book the obverse is true: songs take centre stage and are given priority. The...
Ask Video Audio Concepts 101 Audio and Sound Basics TUTORiALAsk Video Audio Concepts 101 Audio and Sound Basics TUTORiAL

SYNTHiC4TE | June 13 2014 | 243 MB What is sound and audio? How can we measure it? Why do we perceive it the way we do? Learn the nature and science of musical sound, audio and perception in this pro-level audio course by sound engineer, Joe Albano....

  Views: 1603
Views: 1603

- THANKS FROM THE USERS -

Nobody said thanks, but you can be first!

Comments for Sonic Virtuality: Sound as Emergent Perception:

No comments yet, add a comment!

Information

Would you like to leave your comment? Please Login to your account to leave comments. Don't have an account? You can create a free account now.

Member Login


Social Networking Login: