Country Soul: Making Music and Making Race in the American South
English | 2015 | ISBN: 1469622432 | 280 Pages | 2,69 MB
In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama--what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash.
Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period.
home page:
http://amzn.to/17UHfpr
Country Soul: Making Music and Making Race in the American South:
http://nitroflare.com/view/61E344003446689
https://rapidgator.net/file/b9f83c1fd64ad5cb45d95a3498393d2a
https://rapidgator.net/file/b9f83c1fd64ad5cb45d95a3498393d2a
Links are dead? You can send request (you must be registred user) to re-upload articles
with dead links and our team will try to re-upload files for you as soon as possible.
with dead links and our team will try to re-upload files for you as soon as possible.
Related News:
Toontrack EZX2 Southern Soulm v1.0.0 HYBRID Incl.Keygen-R2R
TEAM R2R 2015.06.23 | 2.81 GB Some studios are famous not only because of their body of work, but because they helped change the course of music history. Because their heritage seeps through to culture and myth. Because they play an integral part in how we define a sound or an era. Because there truly can be magic inside four studio walls. Ask Aretha Franklin, Etta James or Otis Redding and...
TEAM R2R 2015.06.23 | 2.81 GB Some studios are famous not only because of their body of work, but because they helped change the course of music history. Because their heritage seeps through to culture and myth. Because they play an integral part in how we define a sound or an era. Because there truly can be magic inside four studio walls. Ask Aretha Franklin, Etta James or Otis Redding and...
Producing Country: The Inside Story of the Great Recordings
English | 2014 | ISBN: 0819574635, 0819574643 | 320 pages | PDF | 5 MB Musicians make music. Producers make records. In the early days of recorded music, the producer was the “artists-and-repertoire man,” or A&R man, for short. A powerful figure, the A&R man chose both who would record and what they would record. His decisions profoundly shaped our musical tastes. Don Law...
English | 2014 | ISBN: 0819574635, 0819574643 | 320 pages | PDF | 5 MB Musicians make music. Producers make records. In the early days of recorded music, the producer was the “artists-and-repertoire man,” or A&R man, for short. A powerful figure, the A&R man chose both who would record and what they would record. His decisions profoundly shaped our musical tastes. Don Law...
This Is the Sound of Irony: Music, Politics and Popular Culture
English | ISBN: 1472442598 | 2015 | 257 pages | PDF | 1,54 MB The use of irony in music is just beginning to be defined and critiqued, although it has been used, implied and decried by composers, performers, listeners and critics for centuries. Irony in popular music is especially worthy of study because it is pervasive, even fundamental to the music, the business of making music and the politics...
English | ISBN: 1472442598 | 2015 | 257 pages | PDF | 1,54 MB The use of irony in music is just beginning to be defined and critiqued, although it has been used, implied and decried by composers, performers, listeners and critics for centuries. Irony in popular music is especially worthy of study because it is pervasive, even fundamental to the music, the business of making music and the politics...
Mavericks of Sound: Conversations with Artists Who Shaped Indie and Roots Music
Mavericks of Sound: Conversations with Artists Who Shaped Indie and Roots Music by David Ensminger English | 2014 | ISBN: 144223590X | 260 pages | PDF/EPUB | 5.64 MB In Mavericks of Sound: Conversations with the Artists Who Shaped Indie and Roots Music, music scholar David Ensminger offers a collection of vivid and compelling interviews with legendary roots rock and indie artists who bucked...
Mavericks of Sound: Conversations with Artists Who Shaped Indie and Roots Music by David Ensminger English | 2014 | ISBN: 144223590X | 260 pages | PDF/EPUB | 5.64 MB In Mavericks of Sound: Conversations with the Artists Who Shaped Indie and Roots Music, music scholar David Ensminger offers a collection of vivid and compelling interviews with legendary roots rock and indie artists who bucked...
Comments for Country Soul: Making Music and Making Race in the American South:
No comments yet, add a comment!