Country Soul: Making Music and Making Race in the American South

Random News

Country Soul: Making Music and Making Race in the American South
AnalogXAi RND's Master Bus Processor Profiles
<<<<<<<<<<< 23-09-2024, 10:42 >>>>>>>>>>
AnalogXAi RND's Master Bus Processor Profiles
P2P | 23 September 2024 | 1.69 MB These 7 brand new presets all utilise our series 2 sampling process and…

Rhythm Paints Papa Titos Sompa WAV
<<<<<<<<<<< Yesterday, 07:22 >>>>>>>>>>
Rhythm Paints Papa Titos Sompa WAV
FANTASTiC | 19 November 2024 | 118 MB Papa Titos Sompa is a widely revered and respected musician/ healer…

Memorymoon ME80 v2.8 WiN MacOSX
<<<<<<<<<<< 21-09-2024, 15:56 >>>>>>>>>>
Memorymoon ME80 v2.8 WiN MacOSX
P2P | 21 September 2024 | 70.02 MB The instrument was developed by Gunnar Ekorn`s, Max Fazio and Georges…

Claro Beats French Afro Hit WAV
<<<<<<<<<<< 24-08-2024, 15:54 >>>>>>>>>>
Claro Beats French Afro Hit WAV
FANTASTiC | 24 August 2024 | 63 MB Let's make a HIT Posted on August 22, 2024

Archive

November 2024 (660)
October 2024 (882)
September 2024 (883)
August 2024 (762)
July 2024 (855)
June 2024 (1094)
29-12-2017, 20:24

Country Soul: Making Music and Making Race in the American South

Country Soul: Making Music and Making Race in the American South

English | 2015 | ISBN: 1469622432 | 280 Pages | 2,69 MB

In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama--what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash.

Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period.


home page:
http://amzn.to/17UHfpr


Country Soul: Making Music and Making Race in the American South:


You like the news? Please share this news in social networks



Links are dead? You can send request (you must be registred user) to re-upload articles
with dead links and our team will try to re-upload files for you as soon as possible.

Related News:

Toontrack EZX2 Southern Soulm v1.0.0 HYBRID Incl.Keygen-R2RToontrack EZX2 Southern Soulm v1.0.0 HYBRID Incl.Keygen-R2R

TEAM R2R 2015.06.23 | 2.81 GB Some studios are famous not only because of their body of work, but because they helped change the course of music history. Because their heritage seeps through to culture and myth. Because they play an integral part in how we define a sound or an era. Because there truly can be magic inside four studio walls. Ask Aretha Franklin, Etta James or Otis Redding and...
Producing Country: The Inside Story of the Great RecordingsProducing Country: The Inside Story of the Great Recordings

English | 2014 | ISBN: 0819574635, 0819574643 | 320 pages | PDF | 5 MB Musicians make music. Producers make records. In the early days of recorded music, the producer was the “artists-and-repertoire man,” or A&R man, for short. A powerful figure, the A&R man chose both who would record and what they would record. His decisions profoundly shaped our musical tastes. Don Law...
This Is the Sound of Irony: Music, Politics and Popular CultureThis Is the Sound of Irony: Music, Politics and Popular Culture

English | ISBN: 1472442598 | 2015 | 257 pages | PDF | 1,54 MB The use of irony in music is just beginning to be defined and critiqued, although it has been used, implied and decried by composers, performers, listeners and critics for centuries. Irony in popular music is especially worthy of study because it is pervasive, even fundamental to the music, the business of making music and the politics...
Mavericks of Sound: Conversations with Artists Who Shaped Indie and Roots MusicMavericks of Sound: Conversations with Artists Who Shaped Indie and Roots Music

Mavericks of Sound: Conversations with Artists Who Shaped Indie and Roots Music by David Ensminger English | 2014 | ISBN: 144223590X | 260 pages | PDF/EPUB | 5.64 MB In Mavericks of Sound: Conversations with the Artists Who Shaped Indie and Roots Music, music scholar David Ensminger offers a collection of vivid and compelling interviews with legendary roots rock and indie artists who bucked...

  Views: 1829
Views: 1829

- THANKS FROM THE USERS -

Comments for Country Soul: Making Music and Making Race in the American South:

No comments yet, add a comment!

Information

Would you like to leave your comment? Please Login to your account to leave comments. Don't have an account? You can create a free account now.

Member Login


Social Networking Login: