Audio Assault Seacow Cabs Industry Standard Vintage Cabs 1 Amp Locker Cabs Presets IRs

4 Vintage 3D cabs and IRs
These cabs are part of what could be called the industry standard, as they have been used countless times during hundreds of recordings, guilty that you might be a fan of a band or even an era of music. It was created for one purpose only, to help you get creative and make music faster.

CITRUS PPC412V
Used by guitarists like Jimmy Page, the Gallagher brothers, and Peter Green this is the classic version of the legendary PPC412C but this time a 70s cab loaded with Eminence 12820PA that gives a vintage sound characteristic of those years.

FINDER BMAN212
Used by guys such as Kurt Cobain, Stevie Ray Vaughan, Billie Joe Armstrong, Buddy Holly, Andrew Stockdale, Tom Petty, even Brian Setzer, for many, is the classic Fender or clean tone par excellence.

Based on Fender Bassman loaded with its original Oxford speakers this cab gives a warm sound very pleasant to the ear.

MR SHALL 1972B
For many the first choice when looking for the Marshall sound, used by Jimi Hendrix, Jimi Page,
Eddie Van Halen, Angus Young, Gary Moore, Joe Perry, Joe Bonamassa, Yngwie Malmsteen, Metallica, Kiss, and many many more, maybe the most recorded cab during the 70s and 80s causing perhaps the sound that many of us know.

Based on a 70s Marshall 1960B loaded with 20-watt G12M and original pulsonic
cones it is perhaps the most prized cab to match any Plexi amp.

SUPPO 1688TN
Maybe this brand is a bit underrated but if it's good enough for Joe Perry, Lenny Kravitz, Billy Gibbons, Cory Wong, The Cure, Richard Fortus, then it's good enough for any of us. Used on many old recordings for its distinctive tone, even nowadays sought after by lovers of using it with a fuzz for a super saturated and broken up sound. Based on the Supro 1688TN loaded with Jensen P12PS.

TONE VARIATIONS:
Our IR Packs include 3 IRs per mic which are tweaked to be bright, balanced, and dark sounding.
The pack also contains a folder called “Bullet Proof Captures” using a sweet spot with a
very balanced tone. And mic mixes for a great tone without spending a lot of time.



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