Westwood Instruments Solo Winds Untamed KONTAKT

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Westwood Instruments Solo Winds Untamed KONTAKT
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Westwood Instruments Solo Winds Untamed KONTAKT

Westwood Instruments Solo Winds Untamed KONTAKT

P2P | 26 July 2024 | 35.74 GB

Beautifully bold woodwinds
A woodwind sample library for Kontakt including Flute, Oboe, Clarinet, Baritone Saxophone and Bassoon which perfectly compliments our successful Solo Strings and Solo Brass Untamed.

Pushing the boundaries of what you believe woodwinds can sound like, you'll begin to want these instruments as the highlight of your music and not just a layer buried in the rest of the orchestra. Both elegant and beautiful or furious and turbulent.

The Improvisations are the life and soul behind each instrument. Not phrases, but performed notes with real human energy and movement.

Improvisations A
Improvisations B
Improvisations C
Improvisations D
Storms
Long
Soft Air
Surges – Soft
Surges – Loud
Vibrato – Slow
Vibrato – Fast
Flutter Tonguing
Thirds
Fifths
Octaves
Timbral Trills
Bends
Short
Swells – Long
Pops


Oboe
Improvisations A
Improvisations B
Improvisations C
Improvisations D
Storms
Long
Soft Air
Surges – Soft
Surges – Loud
Flutter Tonguing
Thirds
Fifths
Octaves
Short
Short – Stopped
Swells – Long


Clarinet
Improvisations A
Improvisations B
Improvisations C
Improvisations D
Storms
Long
Soft Air
Surges – Soft
Surges – Loud
Vibrato – Slow
Vibrato – Fast
Semitone Flicks – Soft
Semitone Flicks – Loud
Thirds
Fifths
Octaves
Short
Short – Stopped
Swells – Short
Swells – Long


Baritone Sax
Improvisations A
Improvisations B
Improvisations C
Improvisations D
Storms
Improv Extreme A
Improv Extreme B
Long
Soft Air
Surges – Soft
Surges – Loud
Thirds
Fifths
Octaves
Growling – Slow
Growling – Fast
Harmonics
Short
Swells – Short
Swells – Long
Slap Tongue


Bassoon
Improvisations A
Improvisations B
Improvisations C
Improvisations D
Storms
Long
Soft Air
Surges – Soft
Surges – Loud
Vibrato – Slow
Flutter Tonguing
Thirds
Fifths
Octaves
Alt Fingering
Stutters
Splutters
Short
Swells – Short
Swells – Long

These mic positions are available on ALL instruments except for Wanderlust.

Spot
A mono position that's super dry, super hyped and super detailed.

Close
This stereo pair is intimate but lively, allowing the sound to breathe just enough.

Room
A typical tree-style position, plenty of real room ambience and nicely balanced.

Gallery
A diffuse and airy position recorded in the ceiling of The Nave. Add this to the mix for natural depth and space.
Multis
There are 30 Multis created from multiple instruments loaded into one Kontakt instance. Grouped into 5 categories they've been created for immediate gratification and perfect for quickly getting your ideas down. There'll also show you some combinations and sounds you won't have thought of and spark off an idea.

Spot
A mono position that's super dry, super hyped and super detailed.

Close
This stereo pair is intimate but lively, allowing the sound to breathe just enough.

Room
A typical tree-style position, plenty of real room ambience and nicely balanced.

Gallery
A diffuse and airy position recorded in the ceiling of The Nave. Add this to the mix for natural depth and space.
Recorded at The Nave, one England's finest recording studios; a converted church with the most beautiful sounding live room. Engineer Tom Orrell used a set of classic microphones and vintage outboard to tailor the perfect sound for the winds.

For the spot position, a single Brauner VMA Valve mic and RE20 mic does a great job of providing a very detailed, dry and hyped sound. Neumann KM184s capture a close stereo perspective; lively but still intimate. For the room position, we used a pair of AKG C414s, creating a more typical tree-style position and will give you a well balanced and open sound. Lastly, high up in the gallery were a pair of omnidirectional Oktava MK-12s. The secret weapon among engineers for their excellent detail, these will give you the full natural studio sound and allow you to hear the beautiful decay of The Nave.

We collected this really wide range of perspectives for you to mix exactly the sound you need. Everything was recorded through through Neve and API preamps, an AMEK Rembrandt desk and captured using world-class Apogee AD16X analogue to digital convertors.

Requires the FULL version of NI Kontakt v5.6.8 or above required!






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