UVI Soundbank Attack EP88 v1.1.3 Falcon

Random News

UVI Soundbank Attack EP88 v1.1.3 Falcon
Sample Tweakers Amsterdam EDM 2015 WAV MiDi
<<<<<<<<<<< 30-09-2024, 21:48 >>>>>>>>>>
Sample Tweakers Amsterdam EDM 2015 WAV MiDi
FANTASTiC | 10 November 2015 | 450 MB Amsterdam and all clubbers from all over the world are still chilling…

Philip Johnston Orchestration Recipes Volume 4 TUTORiAL
<<<<<<<<<<< 9-11-2024, 08:14 >>>>>>>>>>
Philip Johnston Orchestration Recipes Volume 4 TUTORiAL
P2P | 09 November 2024 | 2.67 GB Includes almost three hours of walkthroughs, illustrations and fresh…

Sonic Academy How To Sound Like Afterlife with Bluffmunkey TUTORiAL
<<<<<<<<<<< 2-11-2024, 12:04 >>>>>>>>>>
Sonic Academy How To Sound Like Afterlife with Bluffmunkey TUTORiAL
P2P | 02 November 2024 | 1.52 GB This week Geoff, aka Bluffmunkey, is back with a different take on our usual…

Kiive Audio ADC1 Compressor Limiter v1.1.5 WiN MacOSX
<<<<<<<<<<< 7-11-2024, 16:31 >>>>>>>>>>
Kiive Audio ADC1 Compressor Limiter v1.1.5 WiN MacOSX
F4A | 07 November 2024 | WiN: 32.40 MB | MAC: 97.10 MB With its 4 modes, the ADC1 gives you all the gooey…

Archive

November 2024 (691)
October 2024 (882)
September 2024 (883)
August 2024 (762)
July 2024 (855)
June 2024 (1094)
3-12-2021, 09:31

UVI Soundbank Attack EP88 v1.1.3 Falcon

UVI Soundbank Attack EP88 v1.1.3 Falcon

P2P | 03 December 2021 | 8.14 GB

TACKED ELECTRIC PIANO
World's first tacked electric piano library
Massively customizable; 5 signal sources, over 47,000 samples
3-bus architecture with per-note voicing and tuning control

Tack Piano
A 'tack' piano is a form of prepared piano most commonly seen on acoustic uprights where, as in this example, each of the hammers has had a brass tack or metal device installed on or between the mallets and the resonators. The sound is most definitely still piano but the initial attack phase is accentuated, it's more present, with a resonant metallic brilliance.
As it turns out this preparation is quite exceptional on electric piano. The tonal character is almost bell-like in quality, giving a completely new perspective and life to the classic electric piano sound.

APPROACH
Origins

Attack EP88 begins with a perfectly restored 88-key Rhodes Mark I prepared with a brass tack on the striking surface of each hammer. The goal of the project was to essentially deliver an entire virtual studio built around this instrument, allowing users to customize and explore it when and how they want. Doing this properly requires a number of sound sources and quite extensive recordings of each. Throughout, the utmost attention to quality and detail was made for everything from equipment selection to final editing, from UI and preset design to assembly.

Immaculate Detail
For the acoustic signals we employed a stereo pair of Bruel and Kjaer mics, a Neumann U67 in the mono position and per-key recordings with a contact mic attached directly to the tine. For each note 8 velocities and up to 5 round-robins were recorded per-source, along with 5 round-robins for both the sustain and release samples. This was done 3 times for the electric sources, once for each of the 3 included voicings (where the tack position is shifted on the hammer, resulting in changes of color from deep to thin). Additional recordings were made to capture the pedal-up and pedal-down sounds, this was done for the mono, stereo, contact and DI signals with 7 round-robins for each. The result of this process was a working base of over 47,000 samples, a truly massive library that beautifully captured even the most subtle nuances of the piano.

INSTRUMENT
The next task was to distill this enormous sample complexity into a focused and easy-to-use instrument. Attack EP88's audio sources are routed internally via three busses, one for the contact mic, one for mono and stereo mics, and one for the DI and tube channels. Each bus is equipped with a number of useful mixing tools including envelopes and effects, making it easy to dial in particular sounds or explore new ones.

The user interface was carefully designed to make editing these signals as simple as possible, with acoustic sources at the top of the UI and electric at the bottom. The acoustic busses are equipped with a 3-band EQ, Dual Delay and Sparkverb, and the electric bus with distortion, the 8-voice Thorus, phaser, Dual Delay and Sparkverb.

Full control of these busses is made across 3 pages, Main, FX and Settings. A fourth and final page provides per-note control of voicing (each of which represents an entirely unique sample set per-source) and per-note control of tuning. Attack EP88 comes with 70 expertly designed presets which quickly display its fantastic detail and extraordinary sonic breadth. These can be used either as ready-to-play configurations or launchpads for near-endless exploration.

Unlike Any Other
Attack EP88 is an easy-to-use yet brilliantly deep instrument, one most people aren't likely to quickly exhaust. Providing everything from basic DI setups to rich and elaborate multi-channel configurations with custom envelopes and effects, Attack EP88 provides an extreme versatility, musical quality and immediacy that make it both a joy and inspiration to use.

Features

88-key Rhodes Mark 1 prepared with brass tacks
5 discrete and fully mixable signals (DI, tube, contact, mono and stereo pair)
Internal signal routed via 3 busses (contact, mono and stereo, and DI and tube)
Independent envelopes and effects per-bus (including Thorus, Dual Delay and Sparkverb)
8 velocity layers and up to 5 round-robins per-mic, per-note
Pedal-up, pedal-down and key noise recordings (7 round-robins each)
Contact mic recordings made per tine
Per-note voicing control (3 tack positions recorded, per-signal, per-note)
Per-note tuning control
Intuitive and easy-to-use interface
70 presets
47,000+ sample library, losslessly streamed for speed and efficiency
Flexible licensing supports 3 concurrent authorizations





home page:
https://bit.ly/3Gd4R9M


DOWNLOAD

You like the news? Please share this news in social networks



Related News:

Adam Monroe Music Mark 73 Electric Piano v1.4 and v2.5 KONTAKT WiN MacOSXAdam Monroe Music Mark 73 Electric Piano v1.4 and v2.5 KONTAKT WiN MacOSX

KONTAKT: Team DECiBEL | 02 November 2019 | 3.81 GB WiN/MAC: Team DECiBEL | 02 October 2020 | 3.8 GB each Adam Monroe's Mark 73 Electric Piano was sampled from a 1976 Rhodes Mark I Stage Piano. The entire keyboard was wrapped in tinfoil, which virtually eliminated EMI noise. The piano was sampled DI through a Radial Pro 48 DI box, and the signal was routed to a Fender Deluxe Reverb amp, recorded...
Adam Monroe Music Mark 73 Electric Piano v1.4 and v2.0 KONTAKT WiN MacOSXAdam Monroe Music Mark 73 Electric Piano v1.4 and v2.0 KONTAKT WiN MacOSX

KONTAKT: Team DECiBEL | 02 November 2019 | 3.81 GB WiN/MAC: P2P | 12 February 2020 | 3.78 GB each Adam Monroe's Mark 73 Electric Piano was sampled from a 1976 Rhodes Mark I Stage Piano. The entire keyboard was wrapped in tinfoil, which virtually eliminated EMI noise. The piano was sampled DI through a Radial Pro 48 DI box, and the signal was routed to a Fender Deluxe Reverb amp, recorded...
Adam Monroe Music Mark 73 Electric Piano v1.4 KONTAKT WiN MacOSXAdam Monroe Music Mark 73 Electric Piano v1.4 KONTAKT WiN MacOSX

Team DECiBEL | 02 November 2019 | 3.78 GB | 3.80 GB each Adam Monroe's Mark 73 Electric Piano was sampled from a 1976 Rhodes Mark I Stage Piano. The entire keyboard was wrapped in tinfoil, which virtually eliminated EMI noise. The piano was sampled DI through a Radial Pro 48 DI box, and the signal was routed to a Fender Deluxe Reverb amp, recorded relatively clean through an AEA R84 Ribbon Mic...
Adam Monroe Music Mark 73 Electric Piano v1.3 KONTAKT WiN MacOSXAdam Monroe Music Mark 73 Electric Piano v1.3 KONTAKT WiN MacOSX

Team DECiBEL | 04 April 2018 | WiN: 3.8 GB | MAC: 3.8 GB | KONTAKT: 3.8 GB Adam Monroe's Mark 73 Electric Piano was sampled from a 1976 Rhodes Mark I Stage Piano. The entire keyboard was wrapped in tinfoil, which virtually eliminated EMI noise. The piano was sampled DI through a Radial Pro 48 DI box, and the signal was routed to a Fender Deluxe Reverb amp, recorded relatively clean through an AEA...

  Views: 760
Views: 760

- THANKS FROM THE USERS -

Comments for UVI Soundbank Attack EP88 v1.1.3 Falcon:

No comments yet, add a comment!

Information

Would you like to leave your comment? Please Login to your account to leave comments. Don't have an account? You can create a free account now.

Member Login


Social Networking Login: