Jammcard Samples MonoNeon Bass Loops and One-Shots WAV

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Jammcard Samples MonoNeon Bass Loops and One-Shots WAV
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5-02-2021, 17:32

Jammcard Samples MonoNeon Bass Loops and One-Shots WAV

Jammcard Samples MonoNeon Bass Loops and One-Shots WAV

FANTASTiC | 05 February 2021 | 705 MB

MonoNeon: Bass Loops & One-Shots is an expansive collection of funk-filled, off-the-wall bass licks, leads, riffs, and grooves crafted and curated by musical (and internet) sensation, MonoNeon. With hundreds of loops and one-shots, each sound was meticulously recorded, mixed, and designed, offering a treasure trove of low-slung samples catered for funk, hip-hop, electronica, and beyond for quality bump n’ thump with the MonoNeon seal of approval.

These samples were recorded at the legendary United Recording, Studio B. Highlights of the session included using vintage Neve 31102s and Vintage API 550A EQs, Empirical Labs EL8 Distressor & a Vintage Neve 32264a, as well as a custom Ocean Way Direct box with a vintage UTC transformer for the whammy pedal to authentically capture MonoNeons signature sound and vibe.

Dywane Thomas Jr., also known as MonoNeon, is an American bassist, experimental musician, and songwriter from Memphis, TN. He's known for his presence on social media playing bass guitar and as one of the last people to work with Prince. It was his eclectic artistry on the bass that first caught Prince's attention in 2014. Mono and Prince performed several concerts at Paisley Park, and also recorded and released the track, “RUFF ENUFF” (the last studio recording Prince released while he was living). MonoNeon was the last bassist Prince hired before he died. MonoNeon's speech to music multitracking videos and compositions has also caught the attention of industry pros and fans alike.

All sounds are 100% royalty-free and every loop and one-shot has been meticulously tempo-synced for ease of use.

Please note: This pack contains bass loops & one-shots ONLY, other sounds contained within the demo song are for illustration purposes only.

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