Rhythmic Robot Audio HT 6000 KONTAKT

Random News

Rhythmic Robot Audio HT 6000 KONTAKT
Digikitz Tape Mafia v1.0 WiN MacOSX
<<<<<<<<<<< 8-05-2020, 17:12 >>>>>>>>>>
Digikitz Tape Mafia v1.0 WiN MacOSX
SYNTHiC4TE | 08 May 2020 | WiN: 34 MB | MAC: 41 MB Tape Mafia is a plugin that will add analogue quality…

MAAT DROffline MkII v2.0.4 Incl Emulator WiN
<<<<<<<<<<< 23-04-2020, 18:30 >>>>>>>>>>
MAAT DROffline MkII v2.0.4 Incl Emulator WiN
Team R2R | 23 April 2020 | 4.1 MB MAAT’s DROffline MkII is the batch measurement companion application to our…

BVKER Melodic Arps WAV MiDi
<<<<<<<<<<< 28-05-2020, 14:55 >>>>>>>>>>
BVKER Melodic Arps WAV MiDi
DISCOVER | 28 May 2020 | 629 MB Melodic Arps is a useful tool kit for every EDM producer. The pack comes with…

Laniakea Sounds New School And Future Hip Hop WAV
<<<<<<<<<<< 13-05-2020, 15:37 >>>>>>>>>>
Laniakea Sounds New School And Future Hip Hop WAV
DISCOVER | 13 May 2020 | 251 MB Laniakea Sounds are present new pack New School & Future Hip Hop - the brand…

Archive

July 2020 (89)
June 2020 (659)
May 2020 (888)
April 2020 (617)
March 2020 (565)
February 2020 (677)
12-05-2020, 16:12

Rhythmic Robot Audio HT 6000 KONTAKT

Rhythmic Robot Audio HT 6000 KONTAKT

P2P | 12 May 2020 | 523 MB

Casio's uniquely powerful early-digital synthesiser 3 digiwave oscillators with complex, involving waveforms, each with its own modulation and envelope controls 80 factory patches plus instant patch creation with the Glitch button Truly unusual sound palette – grainier and airier than FM or LA Shifting, morphing soundscapes a speciality!

Released in 1987, the HT-6000 came just as Casio was making a determined effort to carve out a swathe of the pro audio market. Machines like the CZ-1 phase distortion synth had already staked a claim, suggesting that Casio needn't just be known for home keyboards; the follow-up FZ-1 sampler was a real eye-opener, offering 16-bit sampling at a shocking low price. Clearly Casio had serious designs on studio space – which makes the arrival of the HT-6000 all the more confusing.

On the one hand, it boasted some truly impressive on-paper spec: four digital oscillators each capable of generating 32 different waveforms, plus analogue filters and decent modulation capabilities. On the other hand, it had built-in speakers and an overall vibe that uncertainly straddled the line between studio synth and home keyboard. Probably as a direct result of this, it failed to make a significant mark in either arena, and now remains something of a cult keyboard – largely forgotten, and all but buried under a landslide of DX7s and D50s.

This is a shame, because the sounds the HT-6000 can produce are genuinely unusual by 80s standards: thick and grainy in the low end and airy in the highs, they sound neither like the shininess of Yamaha's FM nor the chiffiness of Roland's LA. In fact, the combination of analogue circuitry in the filter path and what are clearly quite low-resolution bitstreams from the digital oscillators yields something totally different, and which we like a lot.

The original HT-6000 made several compromises in its sound architecture, most notable of which was that those impressive-sounding four oscillators could only play one waveform between them (though you could, at least, detune them against each other). We've therefore made several improvements to the structure: centrally, we now have three oscillators instead of four, but freely assignable to any of the 32 waveforms – so you can generate richly complex sounds very easily. Just as importantly, each oscillator has its own envelope, pitch, detune, drive, High Pass Filter and LFO controls: tweaking these can introduce everything from slow tonal shifts and washes to clangy attack-driven patches that then mellow in their decay.

Furthermore, we have a comprehensive multi-mode Low Pass Filter circuit, switchable between 2-pole and 4-pole mode; using this in conjunction with the individual High Pass Filters can give you neat band-pass effects. Helping to add heft and texture are the Sub Oscillator (a digital sine-wave from the Ensoniq SQ-80) and an analogue White Noise circuit. Round the back is a comprehensive Effects Rack, and various performance modulation options so you can patch MIDI velocity to cutoff or amplitude, and set your Mod Wheel vibrato the way you like.

Of course, getting the HT6000 to do new and exciting things is just a button-press away: the Glitch Control has its own little space on the front panel and is itching to be clicked! “Musically-randomised” patches are incredibly easy to generate, and if you want to go deeper, the control set is laid out for easy tweaking.

The glory of the HT-6000 lies in its marginal status: largely ignored, even more largely forgotten, it nevertheless creates a beguilingly idiosyncratic sound. Now, liberated from its original restrictive architecture, that sound can rival any Yamaha or Roland for versatility – but with an individual, unusual tone that mimics neither. We really like this strange machine, and we hope you do, too!



home page:
https://bit.ly/3dBInki


DOWNLOAD

You like the news? Please share this news in social networks



Related News:

Rhythmic Robot Audio Jennings Mk2 KONTAKTRhythmic Robot Audio Jennings Mk2 KONTAKT

DISCOVER | 21 March 2015 | 879 MB This is what happens when you take 1950s valve-driven technology - courtesy of the amazing Jennings Univox valve synthesiser – and pump it with so many tachyons that it warps through its own wormhole into an alternate future....
Rhythmic Robot Audio PatchVault HT6000 KONTAKTRhythmic Robot Audio PatchVault HT6000 KONTAKT

P2P | 27 December 2018 | 1.56 GB 20 digital tones from the Casio HT6000 pro synth All 20 factory presets from Casio’s big-league HT6000 Digital hybrid sound: digital waveforms plus analogue filters Simple but powerful control set including Tilt EQ, Filter and Amplifier so you can craft your own sounds Velocity-to-volume and Velocity-to-cutoff retrofitted for even more expressive options Classic...
Rhythmic Robot Audio SH Studio KONTAKTRhythmic Robot Audio SH Studio KONTAKT

SYNTHiC4TE | June 08 2017 | 2.06 GB Massive range of sound-creation potential with classic analogue warmth and scale: 2.6Gb of compressed data across over 2400 samples Built around Roland’s flagship SH-7 but taken much, much further...
Rhythmic Robot Audio Crank KONTAKTRhythmic Robot Audio Crank KONTAKT

DISCOVER | 24 MARCH 2015 | 418 MB Crank takes as its basis and inspiration the raw, erratic, unstable, wonderful sound of the hurdy-gurdy – an Eastern European folk instrument built around a resonant soundbox, five or more violin-style strings, a wooden peg keyboard, and (most importantly of all) a rotating, hand-cranked wooden wheel. This wheel is rosined (like a violin bow) and scrapes across...

  Views: 177
Views: 177

- THANKS FROM THE USERS -

Comments for Rhythmic Robot Audio HT 6000 KONTAKT:

No comments yet, add a comment!

Information

Would you like to leave your comment? Please Login to your account to leave comments. Don't have an account? You can create a free account now.

Member Login


Social Networking Login: