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True PDF | 70 pages | English | 37.2 MB

AUDIOXiMiK 15 September 2013 | 238 MB

AUDIOXiMiK 15 September 2013 | 310 MB

AUDIOXiMiK 15 September 2013 | 195 MB

AUDIOXiMiK 15 September 2013 | 237 MB

Team MATRiX 17.09.2013

AUDIOXiMiK 15 September 2013 | 111 MB

AUDIOXiMiK 15 September 2013 | 203 MB

SYNTHiC4TE | Sept 17 2013 | 1.12 GB

Imagine making digital music without having to touch or even look at your computer. The future is here with the Ableton Push, which allows you to compose melodies and basslines, make beats, arrange music, mix and master your tracks, and perform live—all from an intuitive, touch-sensitive interface. Join author and DJ Yeuda Ben-Atar, aka Sidebrain, for an introduction to creating and performing music with Push.

AUDIOXiMiK 15 September 2013 | 117 MB

English | 116 pages | True PDF | 31.00 Mb

This is the KCNcrew Pack September 15 2013 Issue.

English | Pages 100 | PDF | 25.83 MB

Team R2R 2013.09.16

SYNTHiC4TE | Sept 16 2013 | 630.26 MB

Logic Pro X's redesigned interface offers unprecedented ways for musicians to compose, play, and record new music. In this course, Logic Pro insider Dot Bustelo shows you how to harness its powerful features and Smart Controls to make music in brand-new ways. First, learn how to build solid, realistic drum tracks with Drummer, which allows you to direct virtual drummers whose performances were taken from some of the industry's top session players, and manipulate them into modern, electronic beats. Dot also explores the suite of MIDI plugins in Logic, including the Arpeggiator, Modulator, and Note Repeater. Then follow along as she shows how to combine Smart Controls and Logic Remote's touch instruments to control sound in a completely modern way. Finally, learn how to use Logic's expanded sound palette, Retro Synth, Bass Amp Designer, and refreshed Apple Loops content to revitalize your music making process.

Learn how to create a high-energy, engaging soundtrack for a 30-second Internet or TV commercial that highlights your client's brand and visual message. Scott Hirsch demonstrates industry-standard post-production techniques for adding sound effects, voice-over, and other audio elements common to commercials, all with Adobe Audition. First, learn how to improve interactions with your client by keeping your files organized with a smart folder structure and file-naming schema. Then you'll import the various audio elements and assign them to stem mixes, finesse the VO track, use automation and clip gain to balance and master tracks, and mix and output your final soundtrack.