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Arturia 3 Filters v1.0.0 WiN

3 Filters You'll Actually Use An inspiring compilation of historic synth filters, turbo-charged as software plugins, and ready to meet the demands of the modern producer.

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FabFilter Pro-C v1.23 WiN MacOSX

FabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with style!

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FabFilter Total Bundle v2018.02.22 WiN MacOSX

The Total Bundle is a set of all FabFilter plug-ins. With this bundle, you get our professional EQ, reverb, compressor, multiband dynamics, limiter, de-esser and gate/expander, creative multiband distortion, delay, filter and synthesizer plug-ins.

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Togu Audio Line TAL-Sampler v2.1.1 WiN MacOSX

TAL-Sampler is not just a sample player. It's a full featured analog modeled synthesizer with a sampler engine as sound source, including a powerful modulation matrix and a high quality self-oscillating 24/12/6 dB low pass filter.

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Togu Audio Line TAL-Dub-X v1.2.0 WiN MacOSX

TAL-Dub-X is a remake of our popular original freeware TAL-Dub plug-in with a lot of additional features and AAX, OSX 64bit support. TAL-Dub-X is no emulation of a specific hardware delay effect and it has its own special sound.

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Positive Grid BIAS AMP 2 v2.1.0 WiN

BIAS AMP 2 is the ultimate virtual amp designer, authentically recreating the tone and feel of real tube amplifiers, while allowing you to mix and match components to create your ideal amp. You can use Amp Match to clone the tone of real hardware or a guitar track, or connect to the ToneCloud® to gain access to thousands of custom amps from artists and recording studios, or upload your own custom tones to the cloud.

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Positive Grid BIAS FX v1.6.1 WiN

Tone at an entire new level. Over the last several years, a range of high processing powered digital guitar effects and mobile guitar apps have changed the way millions of guitarists play and record. The question is how we can create new tools to maximize the sound quality with today’s technology.

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n-Track Studio Suite v9.0.0.3514 WiN

n-Track Studio 9 - A recording studio in your computer. Introducing n-Track Studio 9. Studio quality recording, editing and mixing software. n-Track Studio brings you professional audio quality and easy workflow.

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Togu Audio Line TAL-U-NO-LX v3.0.0 WiN MacOSX

TAL-U-NO-LX is a complete rewritten emulation of the popular Juno 60 with a new engine and GUI. Up to date zero feedback delay filters and carefully calibrated controls make this synth a good replacement for the analog device with all the advantages software plugins have. As an addition, the TAL-U-NO-LX also supports portamento and different filter LFO waveforms and some more useful features.

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Togu Audio Line TAL-BassLine-101 v2.0.0 WiN MacOSX

TAL-BassLine-101 is a monophonic bass synthesizer and a very accurate emulation of the popular SH 101. The GUI is intuitive and easy to use. It produces the raw sound you know from analogue devices without any effects.

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Atomix VirtualDJ 8 Pro Infinity v8.2.3994 WiN

VirtualDJ is a DJ software for PC and MAC, which is used by DJs to replace their turntables and CD players, and use digital music instead of vinyl and CDs. It features a breakthrough BeatLock engine that will keep your songs in tune and let you work your mixes incredibly faster than any other DJ.

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Vandalism Shocking Future Bass for Serum Synth Presets

'Shocking Future Bass For Serum' comes with 64 perfectly crafted presets. This astonishing compilation provides you with thrilling and precise sounds that everybody is looking for.

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Synapse Audio World Of Cinematic Synth Presets

Our fourth high-quality soundset for DUNE 2. "World Of Cinematic" is a new, groundbreaking soundset for DUNE 2 by expert sound designer Kevin Schroeder. With a total of 68 carefully crafted, expressive patches, World of Cinematic will inspire you right away with its fantastic pads, athmospheres, leads, textures and sequences! Patches like the Cello, Cymbal hit, Horn, Soft Piano and many other sounds will make you wonder how it is even possible to get such sounds from a subtractive synthesizer.

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Udemy How To Get a Manager Music Business Management TUTORiAL

Artists guide from being self managed to hiring a manager to help build your music career As the artist Manafest I've sold over 300,000 albums worldwide, over 1,000,000 singles and toured over 19 different countries.

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Academy.fm Production Fundamentals Ableton Live 10 Audio Effects TUTORiAL

Ableton Live 10 is out now and there are thousands of new producers out there. It can be scary looking at the huge collection of audio effects included. By the end of this 10-part course you’ll be able to understand the production fundamentals by using the audio effects inside Ableton Live 10.

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Academy.fm Using the Groove Pool in Ableton Live 10 TUTORiAL

A major feature that tons of Ableton Live producer’s constantly take advantage of is the Groove Pool. This clever tool allows users to instantly apply different levels of swing to their MIDI clips in Ableton, making their tracks more danceable and appealing.

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BigWerks Trap Influenced KONTAKT

Trap Influenced kontakt library was designed to fit the many different styles of trap music from the uptempo to the more laid back style of trap production. We designed this kontakt library with just the right amount of aggressive and laid back (trap soul) type sounds to fulfill the wide variety of trap music!

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Three-Body Tech Heavier7Strings v1.1.5 WiN

Three-Body Technology proudly presents Heavier7Strings, a real-time playable sample-based virtual instrument thats brings back Heavy Metal to your productions. Equipped with a complete effect rack and a patterns library, this metal-style guitar library has everything you need!

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Mai Wondagurl DAW Templates

FL Studio project by Mai.

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Nicholas Cook Music as Creative Practice

Until recently, ideas of creativity in music revolved around composers in garrets and the lone genius. But the last decade has witnessed a sea change: musical creativity is now overwhelmingly thought of in terms of collaboration and real-time performance. Music as Creative Practice is a first attempt to synthesize both perspectives. It begins by developing the idea that creativity arises out of social interaction-of which making music together is perhaps the clearest possible illustration-and then shows how the same thinking can be applied to the ostensively solitary practices of composition. The book also emphasizes the contextual dimensions of musical creativity, ranging from the prodigy phenomenon, long-term collaborative relationships within and beyond the family, and creative learning to the copyright system that is supposed to incentivize creativity but is widely seen as inhibiting it.

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