AudioThing Valves v1.0.1 WiN

Valves is a vintage valve emulation plugin with multimode resonant filter and cabinet/EQ section. The valve section is modelled after classic vintage tubes, with added grit and custom gain control.

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AudioThing The Orb v1.1.0 WiN

The Orb is a formant filter plugin which simulates the characteristics of the human voice. Featuring a set of three band pass filters, The Orb can transform any sound into a vowel-like formant-filtered sound. With the three LFOs you can modulate the Vowel, the Emphasis/Resonance of the formants, and the Drift, which can shift up or down the frequencies of each formant. You can also create your own set of vowels by changing name and frequency for each vowel/formant.

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AudioThing miniBit v1.6.0 WiN

Outer Space is a faithful emulation plugin of a famous vintage tape echo made in the early seventies. As the original unit, Outer Space features a tape echo section with three playback heads and a spring reverb tank.

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AudioThing Speaker v1.5.0 WiN

Speaker is a simple overdrive effect with speaker emulation. It also features a fixed compressor, gain stage and mix knob. Speaker can be used to make any audio source sound as if it’s being played on an old radio. It can also be used to emulate a cheap guitar cabinet or to give harshness to any sound.

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AudioThing Springs v1.1.5 WiN

Springs is a plugin which features a collection of vintage spring reverbs paired with an authentic Baxandall EQ emulation. Springs features emulations from 9 types of spring reverbs, ranging from a long 6-spring pipe to a tiny battery-powered single-spring unit. We have used a combination of convolution and modelling to recreate the vintage character of each reverb.

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AudioThing Outer Space v1.2.1 / v1.1.0 WiN MacOSX

Outer Space is a faithful emulation plugin of a famous vintage tape echo made in the early seventies. As the original unit, Outer Space features a tape echo section with three playback heads and a spring reverb tank.

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AudioThing Reels v1.1.0 WiN

Reels is a tape emulation plugin with built-in echo section and tape-stop effect. Based on an old Japanese portable tape recorder with a very distinct Lo-Fi analog sound, Reels emulates all the imperfections of consumer reel-to-reel recorders. We have modeled three different 1/4” tape frequency responses and saturations, along with all the analog imperfections of tape recording / playback. Reels will add a very rough retro analog sound to your mixes. If you are looking for a Hi-Fi mastering tape emulation, this is not the plugin for you!

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AudioThing Type-A v1.1.0 / v1.0.0 WiN MacOSX

Type A is a plugin inspired by a famous vintage tape encoder. The original unit was designed to be a noise reduction system for tape recording (encode stage) and playback (decode stage).

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AudioThing Megaphone v1.5.0 / v1.0.0 WiN MacOSX

Megaphone is a plugin that emulates an amplified bullhorn / PA loudspeaker. It features two loudspeaker emulations, feedback (slapback) control and a noise section. Megaphone can be used to make any audio source sound as if it’s being played by a bullhorn.

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D16 Group GODFAZER v1.0.0 / v1.0.0 FiXED WiN MacOSX

The Swiss army knife of modulation effects The most powerful modulation effect we’ve ever created, Godfazer is your new go-to plugin for chorus, phasing, filtering, rotary speaker emulation and much more. Built with creative sound design at the top of the agenda, Godfazer spatially and spectrally transforms signals of all kinds with its versatile Ensemble module and two dual-modulated Multi Filters.

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Sononym v1.1.1 X64 / v1.0.4 WiN MacOSX

Sononym represents an innovative approach to sample browsing, using machine learning and audio feature extraction to make personal sample collections searchable and discoverable.

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FAW Crushed II for SubLab Synth Presets

We’ve created another collection of the heaviest, distorted and compressed 808s out there. 15 more crunchy, buzzy, heavy, crushed, distorted sub sounds for your tracks.

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Tracktion Software Collective v1.2.2 / v1.2.2 WiN MacOSX

Collective is a powerful sampler and synthesizer capable of generating a wide variety of instrument sounds. Developed to accompany the new music composition tools, Collective allows you to immediately start creating diverse musical styles.

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Native Instruments Massive X v1.1.0 / v1.1.0 WiN MacOSX

The original Massive, having helped define the sound of modern genres such as dubstep and EDM, became synonymous with an exciting, forward-thinking approach to synthesis that unapologetically embraced its digital DNA. Famous for its intuitive interface and sonic potential – from enormous basslines and soaring leads, to evolving ambient textures – it quickly became a staple part of many production toolkits.

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Splice Sounds Fabian Mazur Vital Trap 2 WAV

Fabian Mazur is a Copenhagen-based producer whose stellar productions spanning EDM, future bass, and pop have topped Spotify charts and landed co-signs from the likes of Martin Garrix, Tiësto, and Afrojack. Ranging harsh risers to delicate plucks, his “Vital Trap 2” sample pack contains polished sounds that fit snug in productions spanning rap and beyond.

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FAW SubLab v1.1.2 MacOSX WiN

The hardest hitting sub-bass every time. A new class of synthesizer designed for hip-hop, future bass and trap genres. Create powerful 808 style sub-bass that sounds punchy on every speaker, every time.

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FAW Divine Bass II for SubLab Synth Presets

Sound design expert Sean Divine brings more of his track ready 808s and sub-basses to SubLab. Sean specializes in designing sounds for hip-hop, trap and future bass genres. He’s been instrumental in developing SubLab as well, acting as a consultant on SubLab’s features during development and designing some of our factory sounds and samples.

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FAW Richie Souf II for SubLab Synth Presets

Fresh out the studio after producing Future's latest EP, Richie Souf delivers 10 hit ready sub-bass sounds exclusively designed for SubLab. Atlanta, Georgia producer Richie Souf is bringing a fresh sound to some of the biggest artists in the game including Future, Gunna, Playboi Carti, and Young Thug.

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FAW Hits DNA Vol.2 for SubLab Synth Presets

Meticulously recreated 808 subs from top tracks including DaBaby, Megan Thee Stallion, A$AP Ferg and more. The sound of the 808 sub-bass is everywhere and the style is extremely varied; from smooth and punchy to crunchy and buzzy, long glides and short bumps.

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FAW Hits DNA Vol.3 for SubLab Synth Presets

More painstakingly recreated 808 subs off tracks from Travis Scott, Pierre Bourne, Rick Ross and more. The sound of the 808 sub-bass is everywhere and the style is extremely varied; from smooth and punchy to crunchy and buzzy, long glides and short bumps.

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