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Steve Lawrence Chasing Grammys KONTAKT

'Chasing Grammys Kontakt Library' is a Kontakt library like no other - designed by best-selling music producer Steve Lawrence who has worked with DTP, Def Jam and Roc Nation.

This library is packed with exclusive drum sounds created and designed in Steve’s personal studio in Florida. The sounds in the library are at the highest in quality sound. Just like his award-winning drumkits, you are most definitely in for one inspiring Kontakt Library that will change your drum game.

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Zapzorn Solstice Green KONTAKT

ZapZorn SOLSTICE:Green is the next installment in a one-of-a-kind sound design tonal pad and atonal soundscape creation machine for Kontakt.

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Zapzorn Solstice Blue v1.1 KONTAKT

ZapZorn SOLSTICE:Blue is a one-of-a-kind sound design tonal pad and atonal soundscape creation machine for Kontakt.

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The Producers Choice Urban Strings Sample Library KONTAKT WAV AiFF

Introducing the Urban Strings Sample Library - the only professional grade string sample library made exclusively for urban and hip-hop music producers. Urban Strings Sample Library runs in Kontakt 5 - and comes with over 1.35GB of instruments & instrument stacks.

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AudioThing Magical Toy Keyboard KONTAKT

Years ago we used to do circuit bending and we had many little toy keyboards around. This one was perfect for 8bit and chiptunes genres or just for fun. A little custom GUI let you choose to extend the original range of the instrument and to enable velocity to control the volume of the instrument. There is, also, a low pass filter (just 1 pole) to cut unwanted noise from original samples. The rhythms patch has each rhythm mapped to the white keys (just like the original) and they are tempo-synced to your DAW/sequencer.

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AudioThing TX-101 KONTAKT

TX-101 is a 4-tracks sequencer designed for the creation of evolving rhythm patterns. Each track has 4 different samples (for a total of 16 samples), including organic glitches and metal hits. It is possible to store eight presets that can be joined and looped together to build a 128 steps sequence (16×8). It is also possible to sequence Delay and Flanger effects as two additional tracks. Both parameters (cutoff, resonance, effects) and steps can be randomized separately. There are 6 different variations (.nki instruments) of TX-101 for different mood/styles: master, ambient, hard, leslie, modulations, talking. The modulation wheel is also assigned to a different set of parameters for each instrument. You can watch the tutorial video or download the documentation to learn more about TX-101.

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AudioThing SoundScapes Vol.1 KONTAKT

Soundscapes, textures and ambiences ready to use as Kontakt instruments or WAV loops. These sounds are divided in two main categories as the source materials: concrete and gear. The raw concrete samples were recorded in different places across Europe (Paris, Dublin, London and Naples) using studio or handy equipment. The raw gear samples were recorded from hardware synthesizers like a Custom Eurorack Modular Synth, guitar pedals and noisy toys like a Thingamagoop 2. Everything was then processed and boxed inside a Kontakt instrument with a custom performance view. The pitch bend is assigned to a ±24 pitch transpose, good for glitch effects. All samples are perfect loops, so if you don’t have Kontakt you can load them directly.

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AudioThing Milkshake KONTAKT

Have you ever wondered how a milkshake would sound like, if you could sample it? Now you can, with the new AudioThing instrument MilkShake!
MilkShake lets you mix three basic ingredients, shake them, filter them and serve them with a nice matrix of effects ready to use. Everything at your fingertips inside a custom performance view. Milk and Sugar samples were carefully recorded using classic kitchen supplies. The Juice samples were, instead, narrowly sampled from a juicy Waldorf microQ sound designed patch. MilkShake it’s perfect for pads, tuned synth-percussions, textures, evolving effects, noises, and so on.

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AudioThing - Environments - Temple of Mercury KONTAKT

Environments “Temple of Mercury” features sound gestures from a corrugated plastic pipe and the impulse response of the Temple of Mercury, a wide caldera situated in the west of Naples (Italy). The Temple is also known as “The Echo Temple” for its several acoustic reflections caused by a dome vault and water on the floor. The temple is entirely made of tophus, and it has a diameter of 21.5 meters (71ft) and a circular opening in the vault reminiscent of the one in the Pantheon in Rome. The sampled instrument produces flute, horn, efxs, impulsive sounds, and, with a little electroacoustic modification, feedback sounds; all sounds are playable with or without the convolution of the Temple. This library was inspired by a video by Salvatore Carannante, a musician who plays common or recycled everyday objects as a way of interacting with the acoustic space.

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AudioThing Wood KONTAKT

Wood is an organic material, found in plants, and used for many purposes such as making musical instruments. Many wooden instruments are idiophones, instruments where the vibration of the material itself is the main source of the sound. Following this concept, Wood is a sample library made by sampling hits, collision or effects with wooden tools (sticks, claves, boards, drums, castanets, bowls and so on). The samples are then processed into different instruments ranging from tuned/untuned percussions, drum kits, hits/noises to sound textures and sound effects.

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AudioThing Pipes KONTAKT

Pipes is a collection of instruments derived from a variety of cardboard tubes, aluminum spray cans, dreamcatchers, and PVC pipes. Even if the pitch of most of the sources is not stable, all instruments were manually tuned. Each instrument features from 3 to 6 Round Robin samples and up to 3 velocity layers. One of the main instruments is a sampled Wah Wah Tube (aka Vibratone): bell-like sound with a very long release and a dedicated control for overtones. There are a couple of sound designed patches derived from the original instruments along with Kontakt Multis ready to play.

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Rhythmic Robot Audio Spark Gap KONTAKT

The source tones for Spark Gap come from a wonderful piece of scientific history: a vintage 1920s electrically-driven (or “maintained”) tuning fork. This bit of lab kit comprises a hefty brass fork bolted to a resonant box and fitted with a moveable pair of damping clamps plus a moveable electromagnet, and was used nearly a century ago to demonstrate the principle of the electromagnetic feedback loop. But while it may have been designed for the edification of young scientists, it’s first and foremost a sound-producing machine – which made it pretty much irresistible to us…

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Rhythmic Robot Audio Memory Rhythm SR88 KONTAKT

The Sound Master Memory Rhythm SR88 was a cool little drum machine from the mid-80s. It was all-analogue, built like a brick, and offered some decent basic sounds plus the ability to tweak them to a limited extent through a “tone” control (which was basically a low-pass filter strapped across the outputs). There was a step-time pattern sequencer in there too, though with no display it sometimes needed a bit of mental gymnastics to get the beat in your head into the little metal box.

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Rhythmic Robot Audio Rytm 16 KONTAKT

Rytm16 is sampled from the Unitra Eltra Rytm 16 preset drum machine – a transistor-based analogue soundbox haling from Poland in the late 70s. The original Rytm 16 is an endearing little box of tricks, comprising 16 preset rhythms each of which plays out over two bars, with slight variation in the second bar. The presets themselves are rather fun: not only the usual suspects (Bossa Nova, Cha Cha… you know the kind of deal) but also Afro, which is great, and not one, not two, but five different kinds of Disco beat. Yeah, definitely made at the end of the 70s, then…

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Rhythmic Robot Audio Typewriter KONTAKT

You never know when this might come in handy. Whether you want foley effects of the golden age of print, or weird percussion starting points, or sound design opportunities, the Imperial Typewriter is here for you.

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Rhythmic Robot Audio Analog Piano KONTAKT

These days no self-respecting hard drive is without at least a handful of multi-gigabyte sampled piano libraries. From meticulously-recreated Yamaha grands, to meticulously-recreated Steinway grands, to meticulously-recreated Bosendorfer grands, all your tasteful piano ballad needs are covered.

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Rhythmic Robot Audio MR11 KONTAKT

Yamaha’s MR10 was a unique bit of kit: Yamaha’s only analogue drum machine. It featured some basic built-in rhythms and a handful of pads with which you could “play along” – the manual has some cracking illustrations of Cool Young Kids in 80s street wear doing just this. Unfortunately, you couldn’t record anything you played; the MR10 had no programmability at all. It was also pretty plasticky, which may explain why these things are pretty rare nowadays.

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Rhythmic Robot Audio Magnus KONTAKT

Take a trip back in time to the 1950s, when spaceships were shaped like proper rockets, scientists had proper hair, cars had fins and gills like some giant piraña fish, and the sound of the future was the Magnus Reed Organ.

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Impact Soundworks Super Audio Cart KONTAKT

The most complete set of classic video game samples ever produced. Features seven legendary systems from the 70s to early 90s, unparalleled accuracy, and a powerful synth engine to transform them into a limitless variety of modern sounds.

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Output SIGNAL Tape Loop Expansion v1.2

Expansion for Output SIGNAL:

TAPE LOOP

125 Signal Presets

Unique rhythmic and creative playable tape loops for modern production

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