Slate Digital FG-X v1.4.0 WIN VST-AudioUTOPiA

Random News

Slate Digital FG-X v1.4.0 WIN VST-AudioUTOPiA
Function Loops Future Bass Sessions WAV MiDi
<<<<<<<<<<< 10-10-2016, 13:42 >>>>>>>>>>
Function Loops Future Bass Sessions WAV MiDi
DISCOVER | October 10 2016 | 290 MB 'Future Bass Sessions' from Function Loops delivers eight futuristic…

Audio Imperia Traveler Aurus KONTAKT
<<<<<<<<<<< 29-10-2016, 02:26 >>>>>>>>>>
Audio Imperia Traveler Aurus KONTAKT
FANTASTiC 28 October 2016 | 2.6 GB AUDIO IMPERIA's “Traveler Aurus“ is the first instrument in our new…

Lynda - Video Gear: Audio TUTORiAL
<<<<<<<<<<< 1-11-2016, 16:32 >>>>>>>>>>
Lynda - Video Gear: Audio TUTORiAL
P2P | November 01 2016 | 972 MB What's one of the best parts about being a video professional? All the cool…

Samples From Mars Simmons From Mars WAV Ableton
<<<<<<<<<<< 19-10-2016, 18:06 >>>>>>>>>>
Samples From Mars Simmons From Mars WAV Ableton
FANTASTiC 19 October 2016 | 165 MB Cosmic Toms, White Noise Snares & Tuned Sub Kicks The Simmons SDS-800 is a…

9-06-2016, 08:00

Slate Digital FG-X v1.4.0 WIN VST-AudioUTOPiA

Slate Digital FG-X v1.4.0 WIN VST-AudioUTOPiA

Team AudioUTOPiA | 19 Dec 2015 | 65.8 MB

FG-X Virtual Mastering Console Dynamics Module is the initial plug-in in Slate Digital's mastering line.

The Concept
Imagine mastering your mixes without causing the lifeless, squashed, and over compressed sound that has become so common in modern music. We have all been at the mercy of the "loudness wars" for over ten years now. Masters have become louder and louder, at the expense of the music becoming harsh and lacking punch and dynamics. One of the main causes of this epidemic is the use of the Peak Limiter to achieve increased levels in the mastering stage. Peak limiters attenuate transients and often reduce punch, stereo imaging, can greatly alter mix balances, and cause a fatiguing result to the ears.

Some of the top mastering engineers have found ways to combat this sonic degradation by using techniques other then Peak Limiting. One of the more popular techniques is the use of saturation in both the analog and digital domain. Another popular method is clipping the front end of expensive A/D converters.

However, both of these methods, while usually more unobtrusive then peak limiting, have their downfalls. Static saturation curves are not universal in their ability to sound good on all transients. Clipping greatly reduces low end punch and is very poor at retaining sub bass. Both static saturation and clipping have a small window of gain maximizing before audible distortion. Enter Slate Digital.

FG-X Dynamics Rack
Two years ago Steven Slate and expert algorithm engineer Fabrice Gabriel started working out the concept for a digital audio process that could increase the level of a mix without altering the punch and dynamic feel, or make the mix sound squashed and lifeless. They started by researching saturation curves and their effect on various types of transient material. After several months of study and hundreds of listening tests, they made some fascinating discoveries. What they found, was that in order to transparently add level to a mix, a dynamic and intelligent transient saturation system would have to be developed.

New Advanced Algorithms were created to execute the extremely complex communication system that would be needed to properly perform the new dynamic operations. A new algorithm was formed, and the process was named "Intelligent Transient Preservation", or ITP.

ITP - Intelligent Transient Preservation
The ITP process uses a complex lookahead detection algorithm to analyze oncoming transients and groups of transients. It then optimizes a specialized set of saturation curves for that specific transient. For example, if the ITP algorithm's lookahead identifies a kick drum transient, it will optimize the algorithm so that it preserves low frequency energy. For a snare drum transient, it will optimize the algorithm to preserve upper mid range punch. The result is the most transparent means of level maximization the industry has ever heard, with extreme transparency, and no degrading artifacts common to peak limiters.

Control
The FG Level maximization plug-in offers the user complete control of their mix, before and after the level maximization process. The Transient function contains two controls to fine tune mix transients. Enhance allows you to transparently increase the level of the transients in a mix, increasing the punch and dynamics without altering other elements of the mix. Detail adds more clarity and focus to the transients, perfect for buried snares or kicks. You will find the Transient functions not only ideal for mastering, but as great tools for the mixbuss and even drumbuss.

After the ITP powered Gain maximizer, there is a function called Impact. This new process can make even the loudest masters sound more dynamic, open, and punchy, even though the master has much more limited dynamic range then the mix.

Be Safe
In the rare case that a mix has poor frequency balance or small bursts of low frequency energy (such as a quick floor tom hit), the Safety slider prevents unwanted distortions or crackles, that until now have been extremely hard to prevent or tame. The dynamic multiband Safety algorithm reacts quickly and backs off quickly, allowing the FG Level to remain transparent and create worry free masters without artifacts.

Mastering Quality Compression
Some mastering compressor plug-ins try to emulate vintage analog units and add color, harmonics, and different filters that change the way your mix sounds. Most top mastering engineers use very little or no compression. When they do use compression, they use only the most transparent compressors that will not alter the tone or balance of the mix.

Slate Digital says the FG Dynamics plug-in is a true mastering quality compressor meant to control the dynamics of your mix in the most transparent way possible, not to color it with digitally modeled harmonics or distortions. The FG Dynamics compressor assumes that you have used your favorite color or tone compressor to achieve the sound on your final mix. It is the job of the FG Dynamics compressor to maintain that quality, not alter it. The advanced dynamics algorithm is claimed to be so transparent, you'll wonder if its on.


home page:
http://www.slatedigital.com/products/fg-x/

Slate.Digital.FG-X.v1.4.0.WIN.VST-AudioUTOPiA
http://nitroflare.com/view/2ACD70FF5A2CA96/

http://rapidgator.net/file/bde5975af573a6f5c7178a172fbdfe6d/



You like the news? Please share this news in social networks



Links are dead? You can send request (you must be registred user) to re-upload articles
with dead links and our team will try to re-upload files for you as soon as possible.

Related News:

Slate Digital Virtual Buss Compressors v1.2.6.4 WIN VST-AudioUTOPiASlate Digital Virtual Buss Compressors v1.2.6.4 WIN VST-AudioUTOPiA

Team AudioUTOPiA | 19 Dec 2015 | 215.3 MB Virtual Buss Compressors comprises three unique sounding, 100% analog-modeled dynamic processors that are designed for program material including full mixes, mastering, drums, group mixes, and more. Every nuance of real analog compressors has been modeled; including the exact nonlinear characteristics of their transformers, tubes, VCAs, amplifiers, phase...
Slate Digital FG-X v1.0 AU VST RTAS MAC OSX-Team XVXSlate Digital FG-X v1.0 AU VST RTAS MAC OSX-Team XVX

Slate Digital FG-X v1.0 AU VST RTAS MAC OSX-Team XVX | 31.9 MB Imagine mastering your mixes without causing the lifeless, squashed, and over compressed sound that has become so common in modern music. We have all been at the mercy of the "loudness wars" for over ten years now. Masters have become louder and louder, at the expense of the music becoming harsh and lacking punch and dynamics. One of...
MAGIX Analog Modeling Suite v2.001 RMAGIX Analog Modeling Suite v2.001 R

MAGIX Analog Modeling Suite v2.001 R2 R2R | 5.5.2013 | 28.9 MB The Analog Modeling Suite Plus includes four high-quality effects plug-ins that model analog audio tools which simply can't be left out of any mastering process. This includes a high-quality analog compressor (am-track) with optional simulation of studio tape machine saturation effects, a transient designer (am-pulse) for influencing...
Groove3 Slate Digital FG-X Explained TUTORiALGroove3 Slate Digital FG-X Explained TUTORiAL

SYNTHiC4TE | Sept 21 2012 | 240 MB LEARN TO MAKE YOUR MIXES LOUD & DYNAMIC WITH FG-X Are you looking for that loud punch without the squashed, lifeless sound? Slate Digital has done it again, with their dynamic and intelligent transient saturation system, FG-X Dynamics Rack. Studio guru Sedric Pieretti takes you on tour of this amazing plug-in suite designed to get your mixes sounding their...

  Views: 477
Views: 477

- THANKS FROM THE USERS -

Comments for Slate Digital FG-X v1.4.0 WIN VST-AudioUTOPiA:

No comments yet, add a comment!

Information

Would you like to leave your comment? Please Login to your account to leave comments. Don't have an account? You can create a free account now.

Member Login


Social Networking Login: