Rhythmic Robot Audio Busker KONTAKT

Random News

Rhythmic Robot Audio Busker KONTAKT
Deep Data Loops Artificial Ambiences WAV
<<<<<<<<<<< 15-04-2018, 09:17 >>>>>>>>>>
Deep Data Loops Artificial Ambiences WAV
Team MAGNETRiXX | 30 March 2014 | 483 MB DDL´s latest release features 20 Ambient themes and its components…

Future Music March 2015
<<<<<<<<<<< 13-05-2018, 14:30 >>>>>>>>>>
Future Music March 2015
English | 116 pages | True PDF | 18,4 MB Future Music brings you the most in-depth reviews by respected…

Groove3 Creating Game Audio Explained TUTORiAL
<<<<<<<<<<< 3-03-2018, 07:57 >>>>>>>>>>
Groove3 Creating Game Audio Explained TUTORiAL
P2P | 03 March 2018 | 923 MB In this Groove3 video tutorial series, sound design guru Gary Hiebner shows you…

SHARP Future Wobble House Synth Presets
<<<<<<<<<<< 4-04-2018, 19:45 >>>>>>>>>>
SHARP Future Wobble House Synth Presets
FANTASTiC | 22 November 2015 | 92 MB "Future Wobble House" from SHARP (Function Loops Label Group) is a…

11-08-2016, 10:10

Rhythmic Robot Audio Busker KONTAKT

Rhythmic Robot Audio Busker KONTAKT
DISCOVER | 24 MARCH 2015 | 51 MB

Busker adds a little bit of grubby street cred to your tracks, with an assortment of percussion elements that you’d expect to find gracing the acoustic strumming and vocal warbling of any self-respecting pavement musician.

It started off because we wanted tambourine sounds. We really like tambourines; they add a neat little background looseness to a track and combine well with more standard drum kit sounds (where would Brown Eyed Girl be without its tambourines?). But while the “big” drum libraries usually contain a tambourine or two, they always sound pretty sterile and over-clean to our ears. You reach for a tambourine because you want the organic, human feel of the thing as a loose counterpart to a more rigid drum pattern; and we weren’t getting that from the more produced drum libraries. So we decided to roll our own.

Busker features both a round tambourine and a stick (with a higher, more delicate pitch), and you get hits with sticks or hands, rolls, and accent grace notes that can be dropped in preceding the main hit – this makes it sound like the player is shifting the tambourine prior to the strike, which is very usual and sounds entirely natural. The two instruments have three velocity layers and eight randomised round-robins, so the variation is nice and broad. Layering these into your track adds a real sense of human groove.

But then we thought, why stop there? The instrument already had a grungy hippie vibe to it, so we got hold of some typical blond-dreadlocks-and-tattoos instruments and stuck them in there too. The Cajon lends some woody percussion, with finger-strikes and stick hits on both the resonant body and the rim areas; plus hits on the Cajon’s inbuilt snare wires. We also got hold of a “knee snare“, which is a little box that velcroes onto your leg and which you can hit. It’s got a more-piccolo-than-piccolo tonality and is great as a substitute for rim shots or even layered over a normal snare. And finally we got hold of a foot stomp, which is basically a wooden wedge you tap with your foot but which can be amped up. Thud thud thud. This is your kick drum equivalent. All of these were also sampled at three velocity layers with eight round-robins, and with both sticks and hands or fingers, so there’s a lot of variation on offer.

The controls allow you to tweak the EQ of the kit pieces using a lovely simple “tilt” EQ (left for less bass more treble; right for more bass less treble), individual compressors, pan pots and a neat little Street knob which dials in grit, trash and old coke-can ring pulls. Round the back we’ve got tuning controls to get your kit pieces sitting nicely in the mix, amp cab simulation so you can run your components through one of those little busker’s combos, reverb to get a “tube station at midnight” thing going, and a buss compressor to glue it all together.

We’ve also thrown you a handful of loose change to get you started. We don’t want you out there without a little seed-corn.

Busker is ideal for roughing up a “produced” drum kit; adding human percussion – particularly tambourine – to any track; giving an electronic piece a more acoustic element; or just accessing your inner traveller. It also combines very well indeed with Snaps’n’Claps for even more alternative-lifestyle fun. Take your music to the streets!

home page:

Rhythmic Robot Audio Busker KONTAKT:



You like the news? Please share this news in social networks

Links are dead? You can send request (you must be registred user) to re-upload articles
with dead links and our team will try to re-upload files for you as soon as possible.

Related News:

MPC-Samples The 60s Funk Kit MULTiFORMATMPC-Samples The 60s Funk Kit MULTiFORMAT

P2P Oct 18 2015 | 103 MB Voted as one of the "Best Drum Kits of 2013" by BBoyTechReport.com, 'The 60s Funk Kit' is a multisampled vintage drum kit recorded direct to analogue tape that perfectly captures the unique sound and vibe of the great funk records from the 60's and early 70's, laid out in ready-made drum kits for all MPC models, JJOS and Maschine!...
Wavesfactory - Ossifar Drum KONTAKTWavesfactory - Ossifar Drum KONTAKT

Wavesfactory - Ossifar Drum KONTAKT-DISCOVER DISCOVER | 20 NOVEMBER 2012 | KONTAKT | 77MB This is our first product and we are very excited about it. We were waiting for showing you this samples. This is a complet real drum kit: bass drum, snare drum, hi hat, 2 crashes, ride, tom 1, tom 2 and tambourine. It is played by sticks. We prepared this kit tuning it the most standard and versatile way,...

  Views: 2486
Views: 2486


Comments for Rhythmic Robot Audio Busker KONTAKT:

No comments yet, add a comment!


Would you like to leave your comment? Please Login to your account to leave comments. Don't have an account? You can create a free account now.

Member Login

Social Networking Login: