Rhythmic Robot Audio NanoMods Series KONTAKT

Random News

Rhythmic Robot Audio NanoMods Series KONTAKT
Loopmasters Made by Pete and Tim Cullen - Grin Recordings MULTiFORMAT
<<<<<<<<<<< 22-05-2017, 13:33 >>>>>>>>>>
Loopmasters Made by Pete and Tim Cullen - Grin Recordings MULTiFORMAT
FANTASTiC August 31 2016 | 819 MB Made by Pete & Tim Cullen - Grin Recordings' from Loopmasters is a superb…

Funky Breaks Unlimited Crunchy Breaks Vol. 1 Vinyl LP WAV
<<<<<<<<<<< 21-05-2017, 15:17 >>>>>>>>>>
Funky Breaks Unlimited Crunchy Breaks Vol. 1 Vinyl LP WAV
FANTASTiC | 21 May 2017 | 171 MB Volume one contains 30 "sweetened" drum beats & breaks you won't find on any…

Pro Sample Packs Vinyl Lo Fi House WAV MiDi
<<<<<<<<<<< 17-04-2017, 20:43 >>>>>>>>>>
Pro Sample Packs Vinyl Lo Fi House WAV MiDi
DISCOVER | April 17th 2017 | 236 MB Pro Sample Packs are proud to present this unreal Vinyl Lo-Fi House…

8Dio 1901 Upright Studio Piano KONTAKT
<<<<<<<<<<< 21-04-2017, 12:05 >>>>>>>>>>
8Dio 1901 Upright Studio Piano KONTAKT
KONTAKT | October 10 2016 | 23.8 GB The 1901 Upright Studio Piano is the most comprehensive deep-sampled…

11-08-2016, 08:02

Rhythmic Robot Audio NanoMods Series KONTAKT

Rhythmic Robot Audio NanoMods Series KONTAKT
DISCOVER | 21 MARCH 2015 | 808 MB

The idea behind NanoMods is a deceptively simple one: take a series of rich, powerful analogue waveforms and pack them into a small, clever sound engine that takes all the effort out of dialling up your own classic patches.

The result is a miniature synth module that’s dead easy to use, but which has got it where it counts: in the sound.

Each NanoMod aims to fill a specific sonic niche – pads, basses, strings and so on – building into a collection of fresh and focused sounds for your music. As we release more of them, and the collection grows, you can pick and choose the NanoMods you want.

They all share similar simple but powerful interfaces, allowing you to dial up your own tones swiftly and efficiently using clever controls that actively help you get the results you want.

Each of the synth-style NanoMods starts with two blendable source waveforms sampled from hardware analogue synths, chosen for a specific sonic task (like pad sounds, or string machines).

The aim is to choose two waves that complement each other and sit at either end of the spectrum of sounds the NanoMod is tackling, so that blending between them yields a whole host of intermediate starting-point sounds with the simple twist of a dial.

Drum-style NanoMods start with eight non-blendable source waveforms, chosen to represent a wide spread of the type of sound they offer (kicks, snares, cymbals etc). These are entirely original sounds synthesised here in our lab, and feature extra-long decay tails to allow you to tailor the sounds’ decay to your personal preference.

This sound-palette is then modified by a carefully-crafted interface which replicates 90% of the functionality of a typical polysynth using only a fraction of the controls… because NanoMod controls are intelligent!

For example, turning the Sweep knob adds resonance to the filter (simple) but also checks the position of the Envelope knob and, based on where you’ve set that, adjusts a hidden Filter cutoff envelope to a curve that’s most likely to compliment your Envelope setting (that’s the intelligent bit).

This means that, with short envelopes, the Sweep control gives you a nice squelch; on longer, sustained envelopes, it goes for a classic resonant filter-sweep; on square-style organ envelopes, it adds a little harmonic key-click effect… and again, it does it all with one single twist.

Rich Pads takes naturally rich analogue waveforms and stacks them up for a seriously beefy, warm sound. Like all NanoMod synth units, it’s based on two blendable custom waves.

Wave 1 is a smooth, lush triangle-based pad sound, thickened by gently detuning multiple oscillators. Being triangle-based, it’s harmonically easy on the ear, ideal for woodwind-type pads and for filling the background of a mix without pushing itself forward.

Wave 2 is a massive sawtooth sound, generated from two oscillators being mixed and then pushed through the SuperSawtor for a “supersaw” style edge. It’s ideal for string-type pads or Roland-inspired blankets of sound, and has plenty of harmonics for the filters to bite into.

Blending between these two source sounds gets you everything from the kind of subtle pad that you only miss when you mute it out of the mix, through rich, chorussy strings, to full-on overheated synthscapes!

home page:
http://tinyurl.com/ltrfvfc










Rhythmic Robot Audio NanoMods Series KONTAKT:

http://nitroflare.com/view/71692203B6F3B3C/

http://rapidgator.net/file/7a70a315dd754cdf7137e6955bce99e6







You like the news? Please share this news in social networks



Links are dead? You can send request (you must be registred user) to re-upload articles
with dead links and our team will try to re-upload files for you as soon as possible.

Related News:

Rhythmi Robot Audio Uproar KONTAKTRhythmi Robot Audio Uproar KONTAKT

SYNTHiC4TE | April 15 2015 | 158 MB Twin detunable waveform generators: blend between pure sines and erratic, complex eBow guitar strings. Three independent distortion types under LFO and envelope control for moving, shifting, evolving harmonic spectra...

  Views: 2570
Views: 2570

- THANKS FROM THE USERS -

Comments for Rhythmic Robot Audio NanoMods Series KONTAKT:

No comments yet, add a comment!

Information

Would you like to leave your comment? Please Login to your account to leave comments. Don't have an account? You can create a free account now.

Member Login


Social Networking Login: